Experiencing Christian art

In this article, we argue that a secularist cannot experience Christian art in the same way that a Christian can. To defend this claim, we argue that Christian faith is best conceived as an engagement with God, such that coming to have faith is a transformative, second-person experience where a pers...

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Bibliographische Detailangaben
VerfasserInnen: Efird, David 1974-2020 (VerfasserIn) ; Gustafsson, Daniel 1983- (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: Cambridge Univ. Press [2015]
In: Religious studies
Jahr: 2015, Band: 51, Heft: 3, Seiten: 431-439
normierte Schlagwort(-folgen):B Christliche Kunst / Erkenntnis / Christ / Ungläubiger
RelBib Classification:AG Religiöses Leben; materielle Religion
CE Christliche Kunst
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Beschreibung
Zusammenfassung:In this article, we argue that a secularist cannot experience Christian art in the same way that a Christian can. To defend this claim, we argue that Christian faith is best conceived as an engagement with God, such that coming to have faith is a transformative, second-person experience where a person comes to know what it is like to be loved by God and that Christian art is best conceived as iconic, such that it is an occasion for, and a mode of, experiencing God. Thus, for the Christian, but not for the secularist, experiencing Christian art consists in an experience of God himself.
ISSN:1469-901X
Enthält:Enthalten in: Religious studies
Persistent identifiers:DOI: 10.1017/S0034412515000335