Satan and Sitis: The Significance of Clothing Changes in the Testament of Job

This article examines the Testament of Job as a literary work within the genre of ancient Jewish novel. It explores the function of clothing changes for the two central characters of Satan and Sitis as providing both entertaining and critical narrative cues for character perception and development....

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Détails bibliographiques
Auteur principal: O'Connor, M. John-Patrick (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Sage [2017]
Dans: Journal for the study of the pseudepigrapha
Année: 2017, Volume: 26, Numéro: 4, Pages: 305-319
Sujets / Chaînes de mots-clés standardisés:B Testament des Ijob / Diable / Déguisement / Vêtement / Joseph et Aseneth
RelBib Classification:HB Ancien Testament
HD Judaïsme ancien
TB Antiquité
Sujets non-standardisés:B Testament of Job Satan Sitis ancient novel Joseph and Aseneth Apuleius
Accès en ligne: Volltext (lizenzpflichtig)
Description
Résumé:This article examines the Testament of Job as a literary work within the genre of ancient Jewish novel. It explores the function of clothing changes for the two central characters of Satan and Sitis as providing both entertaining and critical narrative cues for character perception and development. This study is organized into two main sections. The first part examines the figure of Satan and his respective forms and disguises, with appropriate analogues to Apuleius's Metamorphoses. The second part examines Sitis's clothing and its function within the narrative, followed by a brief comparison to Joseph and Aseneth and Chariton's Chaereas and Callirhoe. This article contends that clothing is an important literary motif for the Testament of Job much like the popular ancient stories of Joseph and Aseneth, Chaereas and Callirhoe, and Metamorphoses. The contention is that a character's exterior clothing often indicates his/her inward character, or depicts a character's transformation within the narrative. In this sense, Sitis's clothing signals both her fall and eventual vindication, and Satan's disguises signal his status as the evil trickster. A character's change of clothing, as one would imagine in a performance or play, offers critical narrative cues to the reader.
ISSN:1745-5286
Contient:Enthalten in: Journal for the study of the pseudepigrapha
Persistent identifiers:DOI: 10.1177/0951820717718418