Images of the Muslim Woman and the Construction of Muslim Identity: The Essentialist Paradigm
This article argues that much of the postmodern discourse on the Muslim woman and her veil is symptomatic of what I call the “essentialist paradigm”. The world is seen through the prism of a group’s religious/cultural identity and eventually constructs a Muslim identity - and with it an image of the...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Institut f. Fundamentaltheologie
[2016]
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| Dans: |
Journal for religion, film and media
Année: 2016, Volume: 2, Numéro: 1, Pages: 91-110 |
| Sujets / Chaînes de mots-clés standardisés: | B
Großbritannien
/ Communauté islamique
/ Musulmane
/ Vêtement
/ Identité religieuse
/ Construction (Philosophie)
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| RelBib Classification: | AD Sociologie des religions BJ Islam KBF Îles britanniques |
| Sujets non-standardisés: | B
Islam
B Group Identity B essentialist paradigm B Veil B British Muslim community B Muslim Woman |
| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | This article argues that much of the postmodern discourse on the Muslim woman and her veil is symptomatic of what I call the “essentialist paradigm”. The world is seen through the prism of a group’s religious/cultural identity and eventually constructs a Muslim identity - and with it an image of the Muslim Woman. The image of the oppressed veiled Muslim Woman and the treatment of a piece of cloth as synonymous with her whole identity and being are products of this paradigm of thought. Using an interdisciplinary approach that combines discourse analysis and a case study of the construction of the British Muslim community, this article argues that the essentialist paradigm ignores the context of its subject matter with all its accompanying power structures, political and social factors, and the roles played by both the state and fundamentalist Islam in constructing a Muslim identity and with it the Muslim Woman and her dress code. |
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| ISSN: | 2617-3697 |
| Contient: | Enthalten in: Journal for religion, film and media
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| Persistent identifiers: | DOI: 10.25364/05.2:2016.1.7 |