Cross-media Transmission Processes: Marian Figures in TODO SOBRE MI MADRE (Pedro Almodóvar, ES 1999)
This paper builds on aspects of the cultural studies perspective that understands art itself as a method of cultural analysis. This will be exemplified by focusing on how film as a cultural technique for framing and reframing the world, using its different audio-visual devices of representation, is...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Institut f. Fundamentaltheologie
[2015]
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| Dans: |
Journal for religion, film and media
Année: 2015, Volume: 1, Numéro: 1, Pages: 89-94 |
| Sujets / Chaînes de mots-clés standardisés: | B
Todo sobre mi madre
/ Marie, von Nazaret, Biblische Person
/ Film
/ Monde
/ Compréhension
/ Indicateur culturel
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| RelBib Classification: | AG Vie religieuse CD Christianisme et culture |
| Sujets non-standardisés: | B
framing / reframing
B Innovation B Tradition B polyvalence of motives / polysemy B film as method B cross-media transmission processes |
| Accès en ligne: |
Volltext (doi) Volltext (kostenfrei) |
| Résumé: | This paper builds on aspects of the cultural studies perspective that understands art itself as a method of cultural analysis. This will be exemplified by focusing on how film as a cultural technique for framing and reframing the world, using its different audio-visual devices of representation, is an important contemporary agens in the process of transmitting religious motifs and concepts. The paper highlights how Pedro Almodóvar skillfully stimulates the audience to reflect on the polysemy and polyvalence of motifs by not only referring explicitly to iconographic traditions, but also playing with aesthetic conventions. |
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| ISSN: | 2617-3697 |
| Contient: | Enthalten in: Journal for religion, film and media
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| Persistent identifiers: | DOI: 10.25364/05.1:2015.1.9 |