“Never the Right Food”
Flannery O’Connor’s first novel, Wise Blood, and John Updike’s second, Rabbit, Run, both deal with the convergences and divergences of the physical and material worlds. Both feature characters who are driven by instinctual longings for or away from divinity, and both feature complicated relationship...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2015
|
| Dans: |
Religion and the arts
Année: 2015, Volume: 19, Numéro: 1/2, Pages: 84-106 |
| Sujets non-standardisés: | B
Flannery O’Connor
John Updike
physical world
spiritual world
existentialism
religious impulse
penance
|
| Accès en ligne: |
Volltext (Verlag) |
| Résumé: | Flannery O’Connor’s first novel, Wise Blood, and John Updike’s second, Rabbit, Run, both deal with the convergences and divergences of the physical and material worlds. Both feature characters who are driven by instinctual longings for or away from divinity, and both feature complicated relationships between their characters and the gods they seek and flee. But the conclusions drawn by these two novels are contradictory. O’Connor’s Hazel Motes, in his desperate attempt to escape from God’s call, ends up performing a painful bodily penance and presumably finds God present in his suffering. Updike’s Harry Angstrom, on the other hand, does his best to find God’s active presence in the world but ends up alienated from that presence, subsumed in the physical world in which he seeks it. This paper seeks an answer for this divergence in endings. |
|---|---|
| ISSN: | 1568-5292 |
| Contient: | In: Religion and the arts
|
| Persistent identifiers: | DOI: 10.1163/15685292-01901005 |