The art and science of the church screen in medieval Europe: making, meaning, preserving
The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly&qu...
| Subtitles: | The art and science of Medieval church screens |
|---|---|
| Corporate Author: | |
| Contributors: | ; ; |
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Woodbridge
The Boydell Press
2017
|
| In: | Year: 2017 |
| Reviews: | [Rezension von: Bucklow, Spike, The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving] (2019) (Donham, Brett)
|
| Series/Journal: | Boydell studies in medieval art and architecture
|
| Standardized Subjects / Keyword chains: | B
Europe
/ Church building
/ Rood screen
/ Triumphal cross
/ History 1200-1500
B Europe / Church building / Rood screen / Screen / Triumphal cross / History 1200-1500 |
| Further subjects: | B
Collection of essays
B Conference program 27.04.2012-28.04.2012 (Cambridge) B Screens (Church decoration) (Europe) B Church decoration and ornament (Europe) B Conference program |
| Online Access: |
Inhaltsverzeichnis (Verlag) |
MARC
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| 245 | 1 | 4 | |a The art and science of the church screen in medieval Europe |b making, meaning, preserving |c edited by Spike Bucklow, Richard Marks and Lucy Wrapson |
| 246 | 3 | 3 | |a The art and science of Medieval church screens |
| 264 | 1 | |a Woodbridge |b The Boydell Press |c 2017 | |
| 300 | |a xviii, 309 Seiten, 32 ungezählte Seiten |b Illustrationen, Pläne, Karte | ||
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| 500 | |a Literaturverzeichnis: Seite 262-295 und Index | ||
| 500 | |a Preface: "The essays which comprise this book are the fruits of an interdisciplinary conference held in Cambridge in April 2012 entitled "The Art and Science of Medieval Church Screens". Convened by the Cambridge University Medieval Panel Painting Research Centre, the conference brought together leading art historians ... at Cambridge's Centre for Research in the Arts, Social Sciences and Humanities (CRASSH)." | ||
| 505 | 8 | 0 | |t Introduction |r Paul Binski |
| 505 | 8 | 0 | |t Framing the Rood in medieval England and Wales |r Richard Marks |
| 505 | 8 | 0 | |t Science and the screen |r Spike Bucklow |
| 505 | 8 | 0 | |t Towards a new methodological approach for interpreting workshop activity and dating edieval church screens |r Lucy Wrapson |
| 505 | 8 | 0 | |t Texts and detexting on late medieval English church screens |r David Griffith -- Sacred kingship, genealogy and the late medieval rood screen: Catfield and beyond |
| 505 | 8 | 0 | |t West Country rood screens: construction and practice |r H. Harrison and J. West |
| 505 | 8 | 0 | |t The polychromy of Devon screens: preliminary analytical results |r Lucy Wrapson and Eddie Sinclair |
| 505 | 8 | 0 | |t Moving pictures on the Gothic choir screen |r Jacqueline E. Jung |
| 505 | 8 | 0 | |t The preserving power of Calvinism: pre-Reformation chancel screens in the Netherlands |r Justin E.A. Kroesen |
| 505 | 8 | 0 | |t Recovering the lost rood screens of medieval and Renaissance Italy |r Donal Cooper |
| 505 | 8 | 0 | |t Choir screens and rood lofts in Scandinavian parish churches before 1300 |r Ebbe Nyborg. |
| 520 | |a The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject , exploring in detail numerous spects of the construction and painting of screens, with contributions from conservators, religious historians, art historians and conservation scientists | ||
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