The midrashic process: tradition and interpretation in rabbinic Judaism

The purpose of this book is to re-examine those basic issues in the study of Midrash which to some extent have been marginalised by trends in scholarship and research. Irving Jacobs asks, for example, whether the early rabbinic exegetes had a concept of peshat, plain meaning, and, if so, what signif...

Description complète

Enregistré dans:  
Détails bibliographiques
Auteur principal: Jacobs, Irving (Auteur)
Type de support: Électronique Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Cambridge Cambridge University Press 1995.
Dans:Année: 1995
Recensions:JACOBS, I., The Midrashic Process: Tradition and Interpretation in Rabbinic Judaism (Cambridge: Cambridge University Press, 1995), pp. xiii + 218. Cloth, £35.00. ISBN 0-521-46174-X (1997)
REVIEWS (1998) (Niehoff, Maren)
REVIEWS (1996) (Horbury, William, 1942 -)
The Midrashic Process. Irving Jacobs (1996) (Fishbane, Michael)
Sujets / Chaînes de mots-clés standardisés:B Midrash
Sujets non-standardisés:B Midrash History and criticism
B Bible. Old Testament Criticism, interpretation, etc., Jewish
B Bible ; Old Testament ; Criticism, interpretation, etc., Jewish
B Bible
B Midrash ; History and criticism
Accès en ligne: Inhaltsverzeichnis (Aggregator)
Volltext (lizenzpflichtig)
Édition parallèle:Non-électronique
Print version: 9780521461740
Description
Résumé:The purpose of this book is to re-examine those basic issues in the study of Midrash which to some extent have been marginalised by trends in scholarship and research. Irving Jacobs asks, for example, whether the early rabbinic exegetes had a concept of peshat, plain meaning, and, if so, what significance they attached to it in their exposition of the biblical text. He enquires if the selection of proemial and proof-texts was a random one, dependent purely upon the art or whim of the preacher, or rather if exegetical traditions linked certain pentateuchal themes with specific sections of the Prophets (and particularly the Hagiographa), which were acknowledged by preachers and audiences alike. As Midrash in its original, pre-literary form, was a living process involving both live preachers and live audiences in the ancient synagogues of the Holy Land, to what extent, he asks, did the latter influence the former in the development of their art and skills?
1. What is Midrash? -- 2. Traditional motifs in early rabbinic exegesis in Job and the Generation of the Flood -- 3. Traditional motifs in early rabbinic exegesis in Job and Israel's early history as a nation -- 4. Popular legends and traditions in the archetypal sage -- 5. Popular legends and traditions in the archetypal priest-king -- 6. Popular legends and traditions in the regenerating tree -- 7. The midrashic background for James 2:21-23 -- 8. Elements of Near-Eastern mythology in rabbinic Aggadah -- Appendix 1. Job and the Generation of the Flood -- Appendix 2. Job in Israel's early history as a nation -- Appendix 3. The archetypal sage -- Appendix 4. The archetypal priest-king
Description:Title from publisher's bibliographic system (viewed on 05 Oct 2015)
ISBN:0511896247
Persistent identifiers:DOI: 10.1017/CBO9780511896248