Seeing like the Buddha: enlightenment through film
List of Illustrations; Acknowledgment; Abbreviations; Chapter 1 Seeing Like the Buddha; Erasing the Buddha; The Necessity of Form; Visions of the Buddha; Conclusion; Chapter 2 The Karmic Narrative of Spring, Summer, Fall, Winter . . . and Spring; Observing the Buddhist Drama; The Bodhisattva's...
| Main Author: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Albany
State University of New York Press
[2017]
|
| In: | Year: 2017 |
| Further subjects: | B
Buddhism in motion pictures
B PERFORMING ARTS ; Reference B Electronic books |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 245 | 1 | 0 | |a Seeing like the Buddha |b enlightenment through film |c Francisca Cho |
| 264 | 1 | |a Albany |b State University of New York Press |c [2017] | |
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| 500 | |a Includes bibliographical references and index. - Online resource; title from digital title page (viewed on February 22, 2017) | ||
| 520 | |a List of Illustrations; Acknowledgment; Abbreviations; Chapter 1 Seeing Like the Buddha; Erasing the Buddha; The Necessity of Form; Visions of the Buddha; Conclusion; Chapter 2 The Karmic Narrative of Spring, Summer, Fall, Winter . . . and Spring; Observing the Buddhist Drama; The Bodhisattva's Vision; Repetition and Awakening; The Collapse of Time; Chapter 3 The Meditative Discernment of Nang Nak; The Karma of Ghosts; The Buddhist Taming; The Eye of Wisdom; Keeping It Real; Chapter 4 Rashomon and the Indiscernible Emptiness of Being; Buddhist Origins; The Subjectivity of Perception | ||
| 520 | |a The Perception of No-PerceptionThe Emptiness of Being; Chapter 5 The Depth of Shadows in Maborosi; The Preference for Shadows; The Religious and the Aesthetic; From the Medieval to the Modern; From National Cinemas to Buddhist Cinema; Chapter 6 The Visual Cinema of Terrence Malick; The Nonnarrative Language of the Visual; The Seeing of Nature; Movement and Flow; Conclusion; Chapter 7 Descent into the World; Buddhist Visionary Practices; Film as Visionary Practice; Conclusion; Notes; References; Index | ||
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