Muslim cool: race, religion, and hip hop in the United States
This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, "Muslim Cool." Muslim Cool is a way of being an American Muslim-displayed in ideas, dress, social activism in the 'hood, and in complex relationships to state po...
| Main Author: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New York, NY
New York University Press
[2016]
|
| In: | Year: 2016 |
| Standardized Subjects / Keyword chains: | B
USA
/ Muslim
/ Blacks
/ Pop culture
B USA / Islam / Popular culture / Blacks |
| Further subjects: | B
African Americans
Relations with Muslims
B African Americans Race identity B Muslims Social conditions United States B United States Race relations History 21st century B Hip-hop Social aspects United States B African American Muslims Social conditions B United States Race relations History 21st century B Muslims (United States) Social conditions B Hip-hop (United States) |
MARC
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| 520 | |a This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, "Muslim Cool." Muslim Cool is a way of being an American Muslim-displayed in ideas, dress, social activism in the 'hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic U.S. Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between "Black" and "Muslim." Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are "foreign" to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested-critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States | ||
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| STF | 0 | 0 | |a 伊斯蘭教,伊斯蘭教,回教,回教,流行文化,大眾文化,流行文化,通俗文化,大眾文化,穆斯林,穆斯林,黑人,黑人 |
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