Manipulating theophany: light and ritual in North Adriatic architeture (ca. 400-ca. 800)

Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scène of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing...

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Bibliographic Details
Main Author: Ivanovici, Vladimir 1983- (Author)
Format: Electronic Book
Language:English
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Published: Berlin Boston De Gruyter [2016]
In: Ekstasis (Volume 6)
Year: 2016
Reviews:Manipulating Theophany. Light and Ritual in North Adriatic Architecture (ca. 400 – ca. 800) (2018) (Büchsel, Martin)
Series/Journal:Ekstasis Volume 6
Standardized Subjects / Keyword chains:B Ravenna / Adriaküste (Nord) / Church building / Architecture / Furnishing / Ritual / History 400-800
Further subjects:B Light Religious aspects Christianity
B Kirchenarchitektur
B Worship History Early church, ca. 30-600
B Light in architecture
B Middle Ages
B Reformchristentum
B Catholic / Christianity / RELIGION 
B Liturgy and architecture
B Thesis
B Baptism History Early church, ca. 30-600
B Architecture (Italy) (Ravenna)
B Liturgy
B Ravenna (Italy) Church history
B Paulinus of Nola, Saint (approximately 353-431)
B Liturgies, Early Christian
Online Access: Cover (Verlag)
Cover (Verlag)
Table of Contents
Volltext (Verlag)
Volltext (lizenzpflichtig)
Parallel Edition:Non-electronic
Erscheint auch als: 978-3-11-037632-6

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505 8 0 |a Frontmatter -- -- Acknowledgements -- -- Contents -- -- Introduction -- -- Paulinus of Nola and the New Visual Rhetoric of Sanctity -- -- I. Light in Late Antique Baptismal Theory and Practice -- -- II. Light in the Context of the Eucharistic Liturgy -- -- III. Conclusion -- -- IV. Excursus: The Tempietto Longobardo in Cividale -- -- Bibliography -- -- Index of Persons -- -- Index of Places 
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520 |a Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scène of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the mannerin which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses. 
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