Sensational religion: sensory cultures in material practice
| Contributors: | |
|---|---|
| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
New Haven
Yale University Press
[2014]
|
| In: | Year: 2014 |
| Reviews: | [Rezension von: Promey, Sally M., Sensational Religion: Sensory Cultures in Material Practice] (2016) (Kirk, Nicole C.)
|
| Standardized Subjects / Keyword chains: | B
Science of Religion
/ Cultural sciences
/ Senses
/ Experience of religion
/ Material popular culture
|
| Further subjects: | B
Collection of essays
B Religion and culture B Senses and sensation Religious aspects B Materialism Religious aspects |
| Online Access: |
Volltext (Aggregator) Volltext (Verlag) |
| Parallel Edition: | Non-electronic
|
MARC
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| 245 | 1 | 0 | |a Sensational religion |b sensory cultures in material practice |c edited by Sally M. Promey |
| 264 | 1 | |a New Haven |b Yale University Press |c [2014] | |
| 300 | |a Online-Ressource (xiii, 704 pages) | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a ""Cover""; ""Contents""; ""Acknowledgments""; ""1. Religion, Sensation, and Materiality: An Introduction""; ""PART ONE: INHABITATIONS""; ""2. Objects of Possession: Photography, Spirits, and the Entangled Arts of Appearance""; ""3. “Soft Warm Hands�: Nineteenth-Century Spiritualist Practices and the Materialization of Touch""; ""4. Possessions and the Possessed: The Multisensoriality of Spirits, Bodies, and Objects in Heian Japan""; ""5. Tethering Djinns: Sensation, Religion, and Contention in Popular Turkish Media"" |
| 505 | 8 | 0 | |a ""6. Shadowy Relations and Shades of Devotion: Production and Possession of the 1886 Smith College Composite Photograph""""7. The Spirit in the Cubicle: A Religious History of the American Office""; ""8. Sensing the City: Night in the Venetian Ghetto""; ""9. The Materiality of the Imperceptible: The Eruv""; ""INTERLUDE ONE: CONTESTED GROUNDS""; ""10. Conversations in Museums""; ""11. Revolutionary Icons: Alfred Barr and the Remaking of Russian Religious Art""; ""12. Sonic Differences: Listening to the Adhan in a Pluralistic America""; ""13. Art and Sensory Contention in a Christian Seminary"" |
| 505 | 8 | 0 | |a ""14. Complicated Candy: Sensory Approaches to the Controversy over Sweet Jesus""""15. Space Invaders: The Public, the Private, and Perceptions of Islamic “Incursions� in Secular America""; ""PART TWO: TRANSGRESSIONS""; ""16. Praying for Grace: Charles Ellis Johnson�s Synesthetic Skin""; ""17. “The Best Hotel on the Boardwalk�: Church Women, Negro Art, and the Construction of Interracial Space in the Interwar Years""; ""18. Aestheticizing Religion: Sensorial Visuality and Coffeehouse Painting in Iran""; ""19. Piety, Barbarism, and the Senses in Byzantium"" |
| 505 | 8 | 0 | |a ""20. Paul Gauguin: Sensing the Infinite""""21. Sensory Devotions: Hair Embroidery and Gendered Corporeal Practice in Chinese Buddhism""; ""22. Shock Value: The Jesuit Martyrs of Japan and the Ethics of Sight""; ""INTERLUDE TWO: DEVOTIONAL BODIES""; ""23. Acts of Conversion: Sanctification and the Senses of Race in the Art of Sister Gertrude Morgan""; ""24. Spiritual Complexions: On Race and the Body in the Moorish Science Temple of America""; ""25. Sensing Exclusions: Disability and the Protestant Worship Environment""; ""26. The Divine Touchability of Dreams"" |
| 505 | 8 | 0 | |a ""27. When the World Is Alive, Spirit Is Not Dismembered: Philosophical Reflections on the Good Mind""""28. The Shroud of Bologna: Lighting Up Pier Paolo Pasolini�s Sensational Corpus""; ""PART THREE: TRANSFORMATIONS""; ""29. Bodies and Becoming: Mimesis, Mediation, and the Ingestion of the Sacred in Christianity and Islam""; ""30. Criminal and Martyr: The Case of James Legg�s Anatomical Crucifixion""; ""31. Extirpation of Idolatry and Sensory Experience in Sixteenth-Century Mexico""; ""32. Seeing, Falling, Feeling: The Sense of Angels"" |
| 505 | 8 | 0 | |a ""33. The Faltering Brush: Material, Sensory Trace, and Nonduality in Chan/Zen Buddhist Death Verse Calligraphies"" |
| 601 | |a Religion | ||
| 650 | 0 | |a Materialism |x Religious aspects | |
| 650 | 0 | |a Senses and sensation |x Religious aspects | |
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