Ceremonial entries in early modern Europe: the iconography of power
"The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that 'voiced' the social, political and cultural...
| Contributors: | ; ; |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Farnham Burlington
Ashgate
2015
|
| In: | Year: 2015 |
| Reviews: | [Rezension von: Mulryne, J. R., Ceremonial Entries in Early Modern Europe: The Iconography of Power. European Festival Studies: 1450-1700] (2016) (Hurlbut, Jesse D.)
|
| Series/Journal: | European festival studies: 1450-1700
|
| Standardized Subjects / Keyword chains: | B
Europe
/ Het Hof
/ City
/ Ceremony
/ History 1450-1650
|
| Further subjects: | B
Royal visitors (Europe)
History
B Europe Social life and customs B Power (Social sciences) (Europe) History B Ceremonial entries (Europe) History B Rites and ceremonies (Europe) History B Processions (Europe) History |
MARC
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| 245 | 1 | 0 | |a Ceremonial entries in early modern Europe |b the iconography of power |c J. R. Mulryne, University of Warwick, UK, with Maria Ines Aliverti, University of Pisa, Italy, and Anna Maria Testaverde, University of Bergamo, Italy |
| 264 | 1 | |a Farnham |a Burlington |b Ashgate |c 2015 | |
| 300 | |a xvi, 388 Seiten |b Illustrationen | ||
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| 490 | 0 | |a European festival studies: 1450-1700 | |
| 500 | |a "... from a conference organised by the Society for European Festivals Reserach ... at the Convento di Sant'Agostino of the Università degli Studi di Bergamo in May 2012" | ||
| 500 | |a Literaturangaben | ||
| 505 | 8 | 0 | |t Introduction : ceremony and the iconography of power |r J.R. MulryneThe theme of war in French renaissance entries / Richard Cooper |
| 505 | 8 | 0 | |t 'Concernant le service de leurs dictes majestez et auctorité de leur justice' : perceptions of royal power in the entries of Charles IX and Catherine de Médicis (1564-1566) |r Linda Briggs |
| 505 | 8 | 0 | |t Henri IV as architect and restorer of the state : his entry into Rouen, 16 October 1596 |r Margaret M. McGowan |
| 505 | 8 | 0 | |t Warrior king or king of war? : Louis XIII's entries into his bonnes villes (1620-1629) |r Marie-Claude Canova-Green |
| 505 | 8 | 0 | |t 'Entrate, onoranze, esequie et altre cose' : the book of ceremonies of Francesco Tongiarini (1536-1612) |r Anna Maria Testaverde |
| 505 | 8 | 0 | |t Re-moulding the city : the Roman possessi in the first half of the sixteenth century |r Lucia Nuti |
| 505 | 8 | 0 | |t Theories of decorum : music and the Italian renaissance entry |r Iain Fenlon |
| 505 | 8 | 0 | |t The grand entry of Elizabeth of Valois into Spain (1559) |r Julia de la Torre Fazio |
| 505 | 8 | 0 | |t Elements of power in court festivals of Habsburg emperors in the sixteenth century |r Veronika Sandbichler |
| 505 | 8 | 0 | |t Ephemeral architecture in the service of Vladislaus IV Vasa |r Jacek Zukowski |
| 505 | 8 | 0 | |t The iconography of populism : waterborne entries to London for Anne Boleyn (1533), Catherine of Braganza (1662) and Elizabeth II (2012) |r Margaret Shewring |
| 505 | 8 | 0 | |t The golden fleece of the London Drapers' Company : politics and iconography in early modern lord mayor's shows |r Sara Trevisan |
| 505 | 8 | 0 | |t Enter the alien : foreign consorts and their royal entries into Scottish cities, c. 1449-1590 |r Lucinda H.S. Dean |
| 505 | 8 | 0 | |t A survey of recent research on renaissance festivals in the German-speaking area |r Andrea Sommer-Mathis |
| 505 | 8 | 0 | |t Appendix : Leonardo di Zanobi Bartolini, Register of expenses for the coronation of Leo X, 1513 |r Lucia Nuti. |
| 510 | 3 | |a McGowan, Henri IV as Restorer, 2015 | |
| 520 | |a "The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that 'voiced' the social, political and cultural messages incorporated in processional entries in the countries of Early Modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513"-- | ||
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