Art and migration: Netherlandish artists on the move, 1400 - 1750 : Nederlandse kunstenaars op drift, 1400 - 1750 = Kunst en migratie

Since the Middle Ages artists from the Low Countries were known to be fond of travelling, as Guicciardini in his "Descrittione di tutti i Paesi Bassi" (Antwerp, 1567) and Karel van Mander in his 1604 "Schilderboeck", already noticed. Much more mobile than their colleagues from ot...

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Détails bibliographiques
Autres titres:Kunst en migratie
Collaborateurs: Scholten, Frits 1959- (Éditeur intellectuel) ; Woodall, Joanna 1956- (Autre)
Type de support: Imprimé Livre
Langue:Anglais
Néerlandais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Leiden [u.a.] Brill 2014
Dans: Nederlands kunsthistorisch jaarboek (63)
Année: 2014
Recensions:[Rezension von: Scholten, Frits, Art and Migration: Netherlandish Artists on the Move, 1400-1750] (2016) (Beranek, Saskia)
Collection/Revue:Nederlands kunsthistorisch jaarboek 63
Sujets / Chaînes de mots-clés standardisés:B Néerlandais / Artiste / Europe / Migration / Art / Histoire 1400-1750
Sujets non-standardisés:B Art, German Dutch influences
B Art, Dutch Influence
B Art, Italian Dutch influences
B Art, Dutch 17th century
B Art, Dutch Travel (Europe)
B Art, Dutch 16th century
B Recueil d'articles
Accès en ligne: Inhaltsverzeichnis (Verlag)
Description
Résumé:Since the Middle Ages artists from the Low Countries were known to be fond of travelling, as Guicciardini in his "Descrittione di tutti i Paesi Bassi" (Antwerp, 1567) and Karel van Mander in his 1604 "Schilderboeck", already noticed. Much more mobile than their colleagues from other European countries, many Netherlandish artists spread all over Europe; a remarkable number among them achieved great fame as court artists, as the careers of Claus Sluter in Burgundy, Anthonis Mor in Spain, Bartholomeus Spranger or Adriaen de Vries in Prague, Giambologna and Jacob Bijlevelt in Florence demonstrate. Moreover, they exerted considerable influence on the artistic production of their time. Nevertheless most of them sank into oblivion soon after they died. Dutch art history neglected them for a long time as they did not fit into the traditional canon of the Low Countries, nor were they adopted by the art histories of their new homelands. This new NKJ volume is an attempt to change this
Description:Beitr. teilw. in engl., teilw. in niederländ. Sprache
ISBN:9004270531