Imago exegetica: visual images as exegetical instruments, 1400 - 1700

This volume of 'Intersections: Interdisciplinary Studies in Early Modern Culture', consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religi...

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Détails bibliographiques
Collectivités auteurs: Emory University (Autre) ; Lovis Corinth Colloquium 4 2012, Atlanta, Ga. (Autre)
Collaborateurs: Melion, Walter S. 1952- (Éditeur intellectuel)
Type de support: Imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Leiden [u.a.] Brill 2014
Dans: Intersections (33)
Année: 2014
Recensions:[Rezension von: Melion, Walter S., Imago Exegetica: Visual Images as Exegetical Instruments, 1400-1700] (2015) (McKim, Donald K., 1950 -)
Collection/Revue:Intersections 33
Sujets / Chaînes de mots-clés standardisés:B Exégèse / Visualisation / Communication visuelle / Langage imagé / Histoire 1400-1700
B Bibel / Iconographie / Herméneutique / Exégèse / Histoire 1400-1700
Sujets non-standardisés:B Christian art and symbolism (Europe) Modern period, 1500-
B Contribution <colloque> 2012 (Atlanta, Ga)
B Christian art and symbolism History Europe
B Bible Illustrations
B Bible Illustrations
B Theology (Europe) History
B Bible Hermeneutics
B Bible Criticism, interpretation, etc
B Visual communication History Europe
B Europe Intellectual life
B Visual communication (Europe) History
B Hermeneutics History
B Christian art and symbolism (Europe) Medieval, 500-1500
B Europe Religious life and customs
B Theology History Europe
Accès en ligne: Inhaltsverzeichnis (Verlag)
Description
Résumé:This volume of 'Intersections: Interdisciplinary Studies in Early Modern Culture', consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular.00
ISBN:9004262008