Shakespeare's stage traffic: imitation, borrowing and competition in Renaissance theatre

"Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of t...

Description complète

Enregistré dans:  
Détails bibliographiques
Auteur principal: Clare, Janet 1954- (Auteur)
Collaborateurs: Shakespeare, William 1564-1616 (Autre)
Type de support: Imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Cambridge [u.a.] Cambridge Univ. Press c 2014
Dans:Année: 2014
Recensions:[Rezension von: Clare, Janet, Shakespeare's Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre] (2015) (Frost, Lea Luecking)
Sujets / Chaînes de mots-clés standardisés:B Shakespeare, William 1564-1616 / Théâtre / Renaissance / Histoire 1580-1630
Sujets non-standardisés:B Influence (Literary, artistic, etc.)
B Imitation in literature
B Criticism and interpretation / Shakespeare, William 1564-1616 English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Influence (Literary, artistic, etc.) Imitation in literature
B Shakespeare, William (1564-1616) Criticism and interpretation
B English drama Early modern and Elizabethan, 1500-1600 History and criticism
Accès en ligne: Cover (Verlag)
Inhaltsverzeichnis (Verlag)