The severed head and the grafted tongue: literature, translation and violence in early modern Ireland

Machine generated contents note: Acknowledgements; Introduction; 1. 'A horses loade of heades': conquest and atrocity in early modern Ireland; 2. The romance of the severed head: Sir John Harington's translation of Orlando Furioso; 3. Defaced: allegory, violence and romance recognitio...

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Bibliographic Details
Main Author: Palmer, Patricia 1957- (Author)
Format: Print Book
Language:English
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Published: New York, NY [u.a.] Cambridge University Press c 2014
In:Year: 2014
Reviews:[Rezension von: Palmer, Patricia, The Severed Head and the Grafted Tongue: Literature, Translation and Violence in Early Modern Ireland] (2014) (Herron, Thomas)
Standardized Subjects / Keyword chains:B Ireland / English language / Literature / Violence (Motif) / Decapitation <motif> (Motif) / Self-mutilation (Motif) / History 1580-1600
Further subjects:B Ireland History 16th century
B Beheading in literature
B Romances, English History and criticism
B British (Ireland) History 16th century
B Violence in literature
B Political Violence (Ireland) History
B English literature / History and criticism / Early modern, 1500-1700 Beheading in literature Violence in literature Romances, English / History and criticism Romances / Translations into English Ireland / History / Beheading Political violence / Ireland / History British / 16th century / Ireland / History Beheading Beheading in literature British Early modern / English literature Political violence Romances Romances, English Violence in literature 16th century / Ireland / History / Criticism, interpretation, etc / Translations
B Beheading (Ireland) History
B English literature Early modern, 1500-1700 History and criticism
B Romances Translations into English
Online Access: Cover (Verlag)

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505 8 0 |a Machine generated contents note: Acknowledgements; Introduction; 1. 'A horses loade of heades': conquest and atrocity in early modern Ireland; 2. The romance of the severed head: Sir John Harington's translation of Orlando Furioso; 3. Defaced: allegory, violence and romance recognition in The faerie queene; 4. The head in a bag: Sir George Carew's translation of Alonso de Ercilla's La Araucana; 5. Elegy and afterlives. 
520 |a Machine generated contents note: Acknowledgements; Introduction; 1. 'A horses loade of heades': conquest and atrocity in early modern Ireland; 2. The romance of the severed head: Sir John Harington's translation of Orlando Furioso; 3. Defaced: allegory, violence and romance recognition in The faerie queene; 4. The head in a bag: Sir George Carew's translation of Alonso de Ercilla's La Araucana; 5. Elegy and afterlives 
520 |a Introduction -- 1. 'A horses loade of heades': conquest and atrocity in early-modern Ireland -- 2. The romance of the severed head: Sir John Harington's translation of Orlando Furioso -- 3. Defaced: allegory, violence and romance recognition in The faerie queene -- 4. The head in a bag: Sir George Carew's translation of Alonso de Ercilla's La Araucana -- 5. Elegy and afterlives. "Severed heads emblemise the vexed relationship between the aesthetic and the atrocious. During the Elizabethan conquest of Ireland, colonisers such as Edmund Spenser, Sir John Harington and Sir George Carew wrote or translated epic romances replete with beheadings even as they countenanced - or conducted - similar deeds on the battlefield. This study juxtaposes the archival record of actual violence with literary depictions of decapitation to explore how violence gets transcribed into art. Patricia Palmer brings the colonial world of Renaissance England face-to-face with Irish literary culture. She surveys a broad linguistic and geographical range of texts, from translations of Virgil's Aeneid to the Renaissance epics of Ariosto and Ercilla and makes Irish-language responses to conquest and colonization available in readable translations. In doing so, she offers literary and political historians access not only to colonial brutality but also to its ethical reservations, while providing access to the all-too-rarely heard voices of the dispossessed"-- 
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