Votive panels and popular piety in early modern Italy

"In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth...

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Bibliographic Details
Main Author: Jacobs, Fredrika Herman 1952- (Author)
Format: Print Book
Language:English
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Published: New York, NY Cambridge Univ. Press 2013
In:Year: 2013
Reviews:[Rezension von: Jacobs, Fredrika H., Votive Panels and Popular Piety in Early Modern Italy] (2014) (Cibelli, Deborah H.)
Edition:1. publ.
Standardized Subjects / Keyword chains:B Italy / Votive image / Popular piety / History 1400-1500
Further subjects:B Art and popular culture (Italy) History 16th century
B Panel painting, Italian 15th century
B Votive offerings (Italy)
B Christianity and culture (Italy) History 16th century
B Christian art and symbolism (Italy) Modern period, 1500-
B Panel painting, Italian 16th century
Online Access: Cover (Verlag)
Inhaltsverzeichnis (Verlag)

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245 1 0 |a Votive panels and popular piety in early modern Italy  |c Fredrika H. Jacobs, Virginia Commonwealth University, Richmond 
250 |a 1. publ. 
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505 8 0 |a Machine generated contents note: 1. Dialogues of devotion: an introduction; 2. Tavolette votive: form, function, context; 3. Determining functional value: attestations of fact and faith; 4. Narrative modes; 5. Signs of faith, signs of superstition. 
520 |a "In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants petitioning a saint at a dramatic moment of crisis. In this book, Fredrika H. Jacobs traces the origins and development of the use of votive panels in this period. She examines the form, context and functional value of votive panels, and considers how they created meaning for the person who dedicated them as well as how they accrued meaning in relationship to other images and objects within a sacred space activated by practices of cultic culture"-- 
520 |a "In the late fifteenth century, votive panel paintings, or tavolette votive, began to accumulate around reliquary shrines and miracle-working images throughout Italy. Although often dismissed as popular art of little aesthetic consequence, more than 1,500 panels from the fifteenth and sixteenth centuries are extant, a testimony to their ubiquity and importance in religious practice. Humble in both their materiality and style, they represent donors in prayer and supplicants petitioning a saint at a dramatic moment of crisis. In this book, Fredrika H. Jacobs traces the origins and development of the use of votive panels in this period. She examines the form, context and functional value of votive panels, and considers how they created meaning for the person who dedicated them as well as how they accrued meaning in relationship to other images and objects within a sacred space activated by practices of cultic culture"-- 
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SYG 0 0 |a Italy , Italia,Königreich Italien,Repubblica Italiana,Italiya Respublikasi,Italijos Respublika,Olaszorszaǵ,Olasz Koz̈taŕsasaǵ,Regno d'Italia,Italienische Republik,République Italienne,Yidali-gongheguo,Italy , Votivbild,Votivmalerei , Volksreligiosität,Volksreligiösität,Volksreligiosität,Lived religion , Italy , Italia,Königreich Italien,Repubblica Italiana,Italiya Respublikasi,Italijos Respublika,Olaszorszaǵ,Olasz Koz̈taŕsasaǵ,Regno d'Italia,Italienische Republik,République Italienne,Yidali-gongheguo,Italy , Votivbild,Votivmalerei , Volksreligiosität,Volksreligiösität,Volksreligiosität,Lived religion 
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