"Hands-on" musicology: essays in honor of Jeffery Kite-Powell
Musica speculativa" v. "Musica humana": a wry comment or two? Anthony Rooley -- Contemplative analysis: an introduction Anthony Rooley -- The great divide Rebecca Lister -- Reflections on plainsong Thomas Forrest Kelly -- Ricercare and variations on Ockeghem, Du Fay, and Cambrai Aleja...
| Collaborateurs: | ; ; |
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| Type de support: | Imprimé Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Ann Arbor
Steglein Publ.
c2012
|
| Dans: | Année: 2012 |
| Sujets / Chaînes de mots-clés standardisés: | B
Musique
/ Histoire
|
| Sujets non-standardisés: | B
Music
History and criticism
15th century
B Music 15th century History and criticism B Music 17th century History and criticism B Music History and criticism 17th century B Publication commémorative B Kite-Powell, Jeffery T. 1941- B Music History and criticism 16th century B Music 16th century History and criticism B Recueil d'articles |
| Résumé: | Musica speculativa" v. "Musica humana": a wry comment or two? Anthony Rooley -- Contemplative analysis: an introduction Anthony Rooley -- The great divide Rebecca Lister -- Reflections on plainsong Thomas Forrest Kelly -- Ricercare and variations on Ockeghem, Du Fay, and Cambrai Alejandro Enrique Planchart -- Thoughts on the performance of music by Palestrina and Lassus Alexander Blachly -- "Thundering to the tune of Greensleeves" Adam Knight Glibert -- The musical language of death and resurrection: three motets by Nicolas Payen Laura Pollie McDowell -- An immaculate deception? emulation and religious politics in Juan de Esquivel's Ave Maria Domini mei mater Michael B. O'Connor -- Protestant sacred music culture in sixteenth- and seventeenth-century Breslau Allen Scott -- The performance of eight-voice and polychoral psalmody with instruments in Italy and its role in the development of the concertato style in the sixteenth and early seventeeth centuries Jeffrey Kurtzman -- Church music and cultural pride: Hieronymus Praetorius, Hamburg's first great composer Frederick K. Gable -- The masses of Philippus Jacobus Rittler: toward a revised view of the Hapsburg Ordinarium Missæ in the late seventeenth century Charles E. Brewer -- Appropriating the music theoretical concepts of Johannes Lippius: Heinrich Grimm's "Instrumentum instrumentorum, hoc est, monochordum vel potius decacordum" (1643), Michael Praetorius, and textual borrowing Joanna Carter Hunt -- Desperartely seeking Absalom (and Jonathan): a re-evaluation of seventeenth-century anthems based on King David's Laments John D. Spilker -- Musical instruments and instrumental music in the Jesuit reductions Timothy D. Watkins -- Marin Marias's Tombeau pour Mr. de Ste. Colombe: a "secret chromatic art"? Stewart Carter -- One more time: the case for the second-part repetition in classic sonata form Douglass Seaton -- Orpheus as civilizing diety: Pierre-Simon Ballanche and Franz Liszt Reeves Shulstad -- A Christmas eve to remember: William Henry Fry's "Santa Claus" symphony Laura Moore Pruett -- Actors preaching and preachers acting: Charles Gildon's The life of Mr. Thomas Betterton Matthew Roberson -- "Music that speaks -- poems that sing:" the performance style of Frieda Peycke Marian Wilson Kimber -- Jeffrey T. Kite-Powell and the Florida State University Early Music Ensembles: an annotated interview Allen Scott |
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| Description: | Includes bibliographical references |
| ISBN: | 0981985041 |