"Hands-on" musicology: essays in honor of Jeffery Kite-Powell
Musica speculativa" v. "Musica humana": a wry comment or two? Anthony Rooley -- Contemplative analysis: an introduction Anthony Rooley -- The great divide Rebecca Lister -- Reflections on plainsong Thomas Forrest Kelly -- Ricercare and variations on Ockeghem, Du Fay, and Cambrai Aleja...
Contributors: | ; ; |
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Format: | Print Book |
Language: | English |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Ann Arbor
Steglein Publ.
c2012
|
In: | Year: 2012 |
Standardized Subjects / Keyword chains: | B
Musik
/ History
|
Further subjects: | B
Music
History and criticism
15th century
B Collection of essays B Music 15th century History and criticism B Music 17th century History and criticism B Music History and criticism 17th century B Festschrift B Kite-Powell, Jeffery T. 1941- B Music History and criticism 16th century B Music 16th century History and criticism |
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245 | 1 | 0 | |a "Hands-on" musicology |b essays in honor of Jeffery Kite-Powell |c ed. by Allen Scott |
263 | |a 1211 | ||
264 | 1 | |a Ann Arbor |b Steglein Publ. |c c2012 | |
300 | |a VIII, 413 S. |b Ill., Notenbeisp., Kt. |c 25 cm | ||
336 | |a Text |b txt |2 rdacontent | ||
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505 | 8 | 0 | |t Musica speculativa" v. "Musica humana": a wry comment or two? |r Anthony Rooley |
505 | 8 | 0 | |t Contemplative analysis: an introduction |r Anthony Rooley |
505 | 8 | 0 | |t The great divide |r Rebecca Lister |
505 | 8 | 0 | |t Reflections on plainsong |r Thomas Forrest Kelly |
505 | 8 | 0 | |t Ricercare and variations on Ockeghem, Du Fay, and Cambrai |r Alejandro Enrique Planchart |
505 | 8 | 0 | |t Thoughts on the performance of music by Palestrina and Lassus |r Alexander Blachly |
505 | 8 | 0 | |t "Thundering to the tune of Greensleeves" |r Adam Knight Glibert |
505 | 8 | 0 | |t The musical language of death and resurrection: three motets by Nicolas Payen |r Laura Pollie McDowell |
505 | 8 | 0 | |t An immaculate deception? emulation and religious politics in Juan de Esquivel's Ave Maria Domini mei mater |r Michael B. O'Connor |
505 | 8 | 0 | |t Protestant sacred music culture in sixteenth- and seventeenth-century Breslau |r Allen Scott |
520 | |a Musica speculativa" v. "Musica humana": a wry comment or two? Anthony Rooley -- Contemplative analysis: an introduction Anthony Rooley -- The great divide Rebecca Lister -- Reflections on plainsong Thomas Forrest Kelly -- Ricercare and variations on Ockeghem, Du Fay, and Cambrai Alejandro Enrique Planchart -- Thoughts on the performance of music by Palestrina and Lassus Alexander Blachly -- "Thundering to the tune of Greensleeves" Adam Knight Glibert -- The musical language of death and resurrection: three motets by Nicolas Payen Laura Pollie McDowell -- An immaculate deception? emulation and religious politics in Juan de Esquivel's Ave Maria Domini mei mater Michael B. O'Connor -- Protestant sacred music culture in sixteenth- and seventeenth-century Breslau Allen Scott -- The performance of eight-voice and polychoral psalmody with instruments in Italy and its role in the development of the concertato style in the sixteenth and early seventeeth centuries Jeffrey Kurtzman -- Church music and cultural pride: Hieronymus Praetorius, Hamburg's first great composer Frederick K. Gable -- The masses of Philippus Jacobus Rittler: toward a revised view of the Hapsburg Ordinarium Missæ in the late seventeenth century Charles E. Brewer -- Appropriating the music theoretical concepts of Johannes Lippius: Heinrich Grimm's "Instrumentum instrumentorum, hoc est, monochordum vel potius decacordum" (1643), Michael Praetorius, and textual borrowing Joanna Carter Hunt -- Desperartely seeking Absalom (and Jonathan): a re-evaluation of seventeenth-century anthems based on King David's Laments John D. Spilker -- Musical instruments and instrumental music in the Jesuit reductions Timothy D. Watkins -- Marin Marias's Tombeau pour Mr. de Ste. Colombe: a "secret chromatic art"? Stewart Carter -- One more time: the case for the second-part repetition in classic sonata form Douglass Seaton -- Orpheus as civilizing diety: Pierre-Simon Ballanche and Franz Liszt Reeves Shulstad -- A Christmas eve to remember: William Henry Fry's "Santa Claus" symphony Laura Moore Pruett -- Actors preaching and preachers acting: Charles Gildon's The life of Mr. Thomas Betterton Matthew Roberson -- "Music that speaks -- poems that sing:" the performance style of Frieda Peycke Marian Wilson Kimber -- Jeffrey T. Kite-Powell and the Florida State University Early Music Ensembles: an annotated interview Allen Scott | ||
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