"Hands-on" musicology: essays in honor of Jeffery Kite-Powell

Musica speculativa" v. "Musica humana": a wry comment or two? Anthony Rooley -- Contemplative analysis: an introduction Anthony Rooley -- The great divide Rebecca Lister -- Reflections on plainsong Thomas Forrest Kelly -- Ricercare and variations on Ockeghem, Du Fay, and Cambrai Aleja...

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Bibliographic Details
Contributors: Scott, Allen (Editor) ; Scott, Dale Allen 1960- (Other) ; Kite-Powell, Jeffery T. 1941- (Honoree)
Format: Print Book
Language:English
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Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Ann Arbor Steglein Publ. c2012
In:Year: 2012
Standardized Subjects / Keyword chains:B Musik / History
Further subjects:B Music History and criticism 15th century
B Collection of essays
B Music 15th century History and criticism
B Music 17th century History and criticism
B Music History and criticism 17th century
B Festschrift
B Kite-Powell, Jeffery T. 1941-
B Music History and criticism 16th century
B Music 16th century History and criticism

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505 8 0 |t Contemplative analysis: an introduction  |r Anthony Rooley 
505 8 0 |t The great divide  |r Rebecca Lister 
505 8 0 |t Reflections on plainsong  |r Thomas Forrest Kelly 
505 8 0 |t Ricercare and variations on Ockeghem, Du Fay, and Cambrai  |r Alejandro Enrique Planchart 
505 8 0 |t Thoughts on the performance of music by Palestrina and Lassus  |r Alexander Blachly 
505 8 0 |t "Thundering to the tune of Greensleeves"  |r Adam Knight Glibert 
505 8 0 |t The musical language of death and resurrection: three motets by Nicolas Payen  |r Laura Pollie McDowell 
505 8 0 |t An immaculate deception? emulation and religious politics in Juan de Esquivel's Ave Maria Domini mei mater  |r Michael B. O'Connor 
505 8 0 |t Protestant sacred music culture in sixteenth- and seventeenth-century Breslau  |r Allen Scott 
520 |a Musica speculativa" v. "Musica humana": a wry comment or two? Anthony Rooley -- Contemplative analysis: an introduction Anthony Rooley -- The great divide Rebecca Lister -- Reflections on plainsong Thomas Forrest Kelly -- Ricercare and variations on Ockeghem, Du Fay, and Cambrai Alejandro Enrique Planchart -- Thoughts on the performance of music by Palestrina and Lassus Alexander Blachly -- "Thundering to the tune of Greensleeves" Adam Knight Glibert -- The musical language of death and resurrection: three motets by Nicolas Payen Laura Pollie McDowell -- An immaculate deception? emulation and religious politics in Juan de Esquivel's Ave Maria Domini mei mater Michael B. O'Connor -- Protestant sacred music culture in sixteenth- and seventeenth-century Breslau Allen Scott -- The performance of eight-voice and polychoral psalmody with instruments in Italy and its role in the development of the concertato style in the sixteenth and early seventeeth centuries Jeffrey Kurtzman -- Church music and cultural pride: Hieronymus Praetorius, Hamburg's first great composer Frederick K. Gable -- The masses of Philippus Jacobus Rittler: toward a revised view of the Hapsburg Ordinarium Missæ in the late seventeenth century Charles E. Brewer -- Appropriating the music theoretical concepts of Johannes Lippius: Heinrich Grimm's "Instrumentum instrumentorum, hoc est, monochordum vel potius decacordum" (1643), Michael Praetorius, and textual borrowing Joanna Carter Hunt -- Desperartely seeking Absalom (and Jonathan): a re-evaluation of seventeenth-century anthems based on King David's Laments John D. Spilker -- Musical instruments and instrumental music in the Jesuit reductions Timothy D. Watkins -- Marin Marias's Tombeau pour Mr. de Ste. Colombe: a "secret chromatic art"? Stewart Carter -- One more time: the case for the second-part repetition in classic sonata form Douglass Seaton -- Orpheus as civilizing diety: Pierre-Simon Ballanche and Franz Liszt Reeves Shulstad -- A Christmas eve to remember: William Henry Fry's "Santa Claus" symphony Laura Moore Pruett -- Actors preaching and preachers acting: Charles Gildon's The life of Mr. Thomas Betterton Matthew Roberson -- "Music that speaks -- poems that sing:" the performance style of Frieda Peycke Marian Wilson Kimber -- Jeffrey T. Kite-Powell and the Florida State University Early Music Ensembles: an annotated interview Allen Scott 
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