Hollywood Be Thy Name: African American Religion in American Film, 1929-1949
From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Jud...
| 1. VerfasserIn: | |
|---|---|
| Medienart: | Elektronisch Buch |
| Sprache: | Englisch |
| Subito Bestelldienst: | Jetzt bestellen. |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
CA
University of Californiarnia Press
2007
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| In: | Jahr: 2007 |
| Schriftenreihe/Zeitschrift: | A George Gund Foundation book in African American studies
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| weitere Schlagwörter: | B
Religion in motion pictures
B Electronic books B African Americans in motion pictures B Motion pictures ; United States |
| Online Zugang: |
Volltext (Aggregator) Volltext (Verlag) Volltext (Verlag) |
| Parallele Ausgabe: | Print version: Hollywood Be Thy Name : African American Religion in American Film, 1929-1949: |
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| 505 | 8 | 0 | |a Contents; List of Illustrations; Acknowledgments; Introduction; 1. "'Taint What You Was, It's What You IsToday"; 2. "'De Lawd' a Natchel Man"; 3. "A Mighty Epic of Modern Morals"; 4. "Saturday Sinners and Sunday Saints"; 5. "A Long, Long Way"; 6. "Why Didn't They Tell Me I'ma Negro?"; Conclusion; Filmography; Notes; Select Bibliography; Index |
| 520 | |a From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship recor | ||
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