Becoming Venetian: immigrants and the arts in early modern Venice
Situated between the patriciate and popular orders, cittadini occupied the middle-tier of Venice's tripartite social hierarchy. Unlike the nobility, the citizenry was not a closed caste, and foreign individuals not fortunate enough to be born in Venice could become naturalised citizens provided...
| Auteur principal: | |
|---|---|
| Type de support: | Imprimé Livre |
| Langue: | Anglais Italien |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
New Haven London
Yale Univ. Press
2010
|
| Dans: | Année: 2010 |
| Recensions: | [Rezension von: Maria, Blake de, Becoming Venetian: Immigrants and the Arts in Early Modern Venice] (2012) (Frakes, Jerold C.)
|
| Sujets / Chaînes de mots-clés standardisés: | B
Venedig
/ Immigration
/ Artiste
/ Art
/ Histoire 1420-1600
|
| Sujets non-standardisés: | B
Venice (Italy)
Social conditions 16th century
B Immigrants (Italy) (Venice) Social conditions 16th century B Art and society (Italy) (Venice) History 16th century B Recueil d'articles |
| Accès en ligne: |
Inhaltsverzeichnis (Verlag) |
MARC
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| 245 | 1 | 0 | |a Becoming Venetian |b immigrants and the arts in early modern Venice |c Blake de Maria |
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a Becoming Venice, becoming Venetian -- The commercial famiglia -- The Scuola Grande di San Rocco, I: the family chapel -- The Scuola Grande di San Rocco II: competition and cooperation -- Creating a façade: the patronage of domestic architecture -- Inside the naturalized citizen home -- Fame and infamy, the seventeenth century -- Catalogue: individual family histories. |
| 520 | |a Situated between the patriciate and popular orders, cittadini occupied the middle-tier of Venice's tripartite social hierarchy. Unlike the nobility, the citizenry was not a closed caste, and foreign individuals not fortunate enough to be born in Venice could become naturalised citizens provided they met certain requirements. As newcomers to the city, immigrant merchant families had to acquire the material commodities necessary for everyday life. De Maria investigates important aspects of the artistic, commercial and familial activities of naturalised citizen families. Much of the documentation concerning their commercial interests, real estate development, household management, chapel decoration and confraternity affiliations has not previously been published, allowing this study to expand both the context and the interpretation of Venetian painting and architecture of the highest calibre, including the commissions to Titian, Tintoretto and Veronese | ||
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| 650 | 0 | |a Immigrants |z Italy |z Venice |x Social conditions |y 16th century | |
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