The Charge of God: "Laudato Si'" read through Chesterton, Wordsworth, and Hopkins
G. K. Chesterton, William Wordsworth, and Gerard Manley Hopkins are set in conversation with Pope Francis’s Laudato Si' (2015), to show how far those writers anticipate its animus against technocratic capitalism, but also, more surprisingly, how far Laudato Si' challenges the progressive a...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Oxford University Press
2023
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| Dans: |
Literature and theology
Année: 2023, Volume: 37, Numéro: 3, Pages: 216-240 |
| RelBib Classification: | CD Christianisme et culture KAH Époque moderne KAJ Époque contemporaine NBC Dieu NBD Création VA Philosophie |
| Sujets non-standardisés: | B
Gerard Manley Hopkins
B Ecocriticism B G.K. Chesterton B William Wordsworth B Laudato Si' B Posthumanism |
| Accès en ligne: |
Volltext (kostenfrei) |
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| 520 | |a G. K. Chesterton, William Wordsworth, and Gerard Manley Hopkins are set in conversation with Pope Francis’s Laudato Si' (2015), to show how far those writers anticipate its animus against technocratic capitalism, but also, more surprisingly, how far Laudato Si' challenges the progressive assumptions of contemporary eco-activism. Chesterton, Wordsworth, and Hopkins do not merely foreshadow and clarify the theological stakes of a papal document. By making even single words expressive of a whole worldview (achieving what William Empson called a "compacted doctrine"), their writings prove more imaginatively affective, as well as more theologically adequate than the communicative formalities available to the theological treatise as a genre. | ||
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