Mas(c/k) of a Man: Masculinity and Jesus in Performance

While both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that pl...

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Détails bibliographiques
Auteur principal: Wines, Megan (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: MDPI 2023
Dans: Religions
Année: 2023, Volume: 14, Numéro: 9
Sujets non-standardisés:B Masculinity
B Jesus
B Théâtre
B Gospel of Mark
B Rhetoric
B Gender
B performance criticism
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Résumé:While both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that place prominence on the embodied, performed dimension of the texts, when thinking about gender it becomes critical to examine the ways in which masculinity is constructed in and through performance, particularly in the ancient Greek and Roman worlds. This article is an examination of the masculinity of Jesus as it is presented in the Gospel of Mark, as it argues that the Gospel of Mark presents a seemingly “unmasculine” depiction of Jesus that performers (as well as later interpreters) would have had to make performance choices about in their own depictions of Jesus for a given performance event. While narrative approaches have more space to hold multiple interpretations in tension with one another, performances of the texts would have necessitated making singular choices that would impact an audience’s understanding of the text.
ISSN:2077-1444
Contient:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel14091162