The Yijing as Inspiration in Raymond Queneau's Morale Élémentaire III (1975): An Intermingling of the Particular and the Universal
The third part of Raymond Queneau's last work (1903-76), Morale élémentaire (Elementary Morality, henceforth EM3), a collection of prose poems published in 1975, is composed of 64 poems like the 64 hexagrams of the Yijing. Having found his notes on Philastre’s translation of the Yijing during t...
| Subtitles: | "Special Forum on The I Ching and World Literature" |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Oxford University Press
2023
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| In: |
Literature and theology
Year: 2023, Volume: 37, Issue: 2, Pages: 181-191 |
| RelBib Classification: | AG Religious life; material religion BM Chinese universism; Confucianism; Taoism TK Recent history VA Philosophy |
| Further subjects: | B
Raymond Queneau
B Yijing B I Ching B Morale élémentaire III B Elementary Morality |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a The third part of Raymond Queneau's last work (1903-76), Morale élémentaire (Elementary Morality, henceforth EM3), a collection of prose poems published in 1975, is composed of 64 poems like the 64 hexagrams of the Yijing. Having found his notes on Philastre’s translation of the Yijing during the writing of EM3, one can wonder by what mechanisms the Yijing inspired Queneau's creation. This article shows that EM3 is an intertwining between the particular and the universal. In the autobiographical and particular side of EM3, Queneau integrates his memories, his experiences and references to the news of his time. The universal side of EM3 stands in the impersonal and indefinite style of the elementary wisdom of the Yijing from which Queneau takes up certain precepts and replies to the Kantian question "[w]hat should I do?" with a quest of happiness and self-realisation. The latter lies in Queneau's description of his quest for writing and of his process of literary creation. | ||
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