Chakshudana or opening the eyes: seeing South Asian art anew

"Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors and priests. The ritual offers gods access to the mortal world, this practice applied to the study of art offers a distinctive perspective to interrogate the complex engagemen...

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Enregistré dans:  
Détails bibliographiques
Collaborateurs: Ghosh, Pika 1969- (Éditeur intellectuel) ; Sohoni, Pushkar 1976- (Éditeur intellectuel) ; Meister, Michael W. 1942- (Personne honorée)
Type de support: Imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: London New York Routledge 2024
Dans:Année: 2024
Édition:First published
Collection/Revue:Visual and media histories
Sujets / Chaînes de mots-clés standardisés:B Südasien / Science de l'image / Culture matérielle
Sujets non-standardisés:B Art, South Asian Congresses
B Recueil d'articles
B Meister, Michael W. 1942-
Accès en ligne: Table des matières
Édition parallèle:Erscheint auch als: Chakshudana or opening the eyes. - Abingdon, Oxon : Routledge, 2024. - 9781003291473

MARC

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490 0 |a Visual and media histories 
500 |a Includes bibliographical references and index 
505 8 0 |a Region, Style, Idiom and Ritual in History: Michael Meister on the Study of Jain Art / John Cort -- Meister Purāṇa in Modern Indian Art / Ajay J. Sinha -- Human and Non-Human Animal Interactions on an Uninscribed Sculpture of the Bharhut Stupa Railing Chandreyi Basu. 
520 |a "Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors and priests. The ritual offers gods access to the mortal world, this practice applied to the study of art offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies. This volume takes as its focus the process of seeing-to look closely, remaining true to the object, but also to see widely, from multiple subjective stances and diverse bodily engagements from walking to dreaming, from glancing to looking askance, and hypnotic stares, and to see beyond the visible. It examines art history through nuanced considerations of materiality, aesthetics and regional specificities. The essays emerge from current research building on the contributions of Michael W. Meister, W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania, whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology exploring artistic media including temples and paintings, as well as Bengali quilted textiles, manuscript 'lozenges,' and metal repousse. This volume, part of the Visual Media and Histories Series, will be of interest to students and researchers of history of art, religious studies, history, as well as the allied disciplines of anthropology and folklore studies"-- 
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