Questioning the Questions around Jesus’s Authority in Mark 11:27–33: A Performance Perspective
The rise of performance criticism prompts questions about its relationship to other disciplines, most notably narrative criticism. While narrative critics traditionally focus solely on the textual elements within their cultural context, performance critics adopt a broader understanding of the term “...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2023
|
| In: |
Religions
Year: 2023, Volume: 14, Issue: 8 |
| Further subjects: | B
cognitive narratology
B Baptism B Jesus B Ancient Rhetoric B Gospel of Mark B Inference B Questions B audience analysis B Performance |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1853829196 | ||
| 003 | DE-627 | ||
| 005 | 20230729054806.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 230728s2023 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel14080972 |2 doi | |
| 035 | |a (DE-627)1853829196 | ||
| 035 | |a (DE-599)KXP1853829196 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)107998268X |0 (DE-627)843514663 |0 (DE-576)421090839 |4 aut |a Whitenton, Michael R. | |
| 109 | |a Whitenton, Michael R. | ||
| 245 | 1 | 0 | |a Questioning the Questions around Jesus’s Authority in Mark 11:27–33: A Performance Perspective |
| 264 | 1 | |c 2023 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The rise of performance criticism prompts questions about its relationship to other disciplines, most notably narrative criticism. While narrative critics traditionally focus solely on the textual elements within their cultural context, performance critics adopt a broader understanding of the term “text”, encompassing not only the cultural context but also performative aspects, such as the setting for public reading, the involvement of a skilled performer, and dynamics introduced by a diverse performance audience. This article demonstrates the distinctiveness of a performance-critical approach through a reappraisal of Mark 11:27–33, showing how such an approach yields different interpretive results when compared to traditional narrative criticism. More specifically, whereas traditional narrative readings generally conclude that Jesus is merely evading his interlocutors, I argue that a performance-critical approach suggests that many ancient listeners would have concluded that the lector-as-Jesus was insinuating, for those with ears to hear, that Jesus’s authority derives from God and was granted at his baptism. | ||
| 601 | |a Performance | ||
| 650 | 4 | |a cognitive narratology | |
| 650 | 4 | |a audience analysis | |
| 650 | 4 | |a Jesus | |
| 650 | 4 | |a Gospel of Mark | |
| 650 | 4 | |a Baptism | |
| 650 | 4 | |a Inference | |
| 650 | 4 | |a Questions | |
| 650 | 4 | |a Ancient Rhetoric | |
| 650 | 4 | |a Performance | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 14(2023), 8, Artikel-ID 972 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:14 |g year:2023 |g number:8 |g elocationid:972 |
| 856 | |u https://www.mdpi.com/2077-1444/14/8/972/pdf?version=1690450151 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.3390/rel14080972 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/14/8/972 |x Verlag |z kostenfrei |3 Volltext |
| 935 | |a mteo | ||
| 936 | u | w | |d 14 |j 2023 |e 8 |i 972 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4358492479 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1853829196 | ||
| LOK | |0 005 20230728055505 | ||
| LOK | |0 008 230728||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2023-07-27#0296FB032291B788BDB59E4687E6C21235F42C0D | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a zota | ||
| OAS | |a 1 | ||
| ORI | |a TA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Performance |
| STB | 0 | 0 | |a Performance |
| STC | 0 | 0 | |a Performance |
| STD | 0 | 0 | |a Performance |
| STE | 0 | 0 | |a 行为艺术 |
| STF | 0 | 0 | |a 行為藝術 |
| STG | 0 | 0 | |a Performance |
| STH | 0 | 0 | |a Перформанс (искусство) |
| STI | 0 | 0 | |a Παράσταση (τέχνες) |
| SUB | |a REL | ||
| SYE | 0 | 0 | |a Performance |