The Death of the Angel: Reflections on the Relationship between Enlightenment and Enchantment in the Twenty-first Century
Tango artist Astor Piazzolla’s composition, ‘La muerte del ángel’, serves as inspiration for a few reflections on the relationship between enlightenment and enchantment in the 21st century. Piazzolla wrote the fugue as accompaniment to a play, ‘Tango del angel’, about an angel who tries to heal brok...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
[publisher not identified]
2011
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| Dans: |
Temenos
Année: 2011, Volume: 47, Numéro: 1, Pages: 77-96 |
| Sujets non-standardisés: | B
Ethnography
B Reflexivity B Writing B tango |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | Tango artist Astor Piazzolla’s composition, ‘La muerte del ángel’, serves as inspiration for a few reflections on the relationship between enlightenment and enchantment in the 21st century. Piazzolla wrote the fugue as accompaniment to a play, ‘Tango del angel’, about an angel who tries to heal broken human spirits in Buenos Aires and ends up dying in a knife fight. Drawing on tango’s melancholy, longing, and hesitant hoping, I share stories from my travels where I engage with the struggle to sustain an ethnographic art that brings heart to the process of knowing the world. |
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| ISSN: | 2342-7256 |
| Contient: | Enthalten in: Temenos
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| Persistent identifiers: | DOI: 10.33356/temenos.4618 |