Between Repentance and Desire: Women Poets and the Word in Early Modern Italy
In early modern Italy, lyric poets of spiritual verse experimented with engaging and depicting the divine Word in novel ways. They aestheticized bodies, including that of Christ, and they imagined eroticized encounters between themselves and the Word made flesh. This article examines the sensual spi...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
MDPI
2023
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| Dans: |
Religions
Année: 2023, Volume: 14, Numéro: 5 |
| Sujets non-standardisés: | B
Vittoria Colonna
B Petrarch B Francesca Turini Bufalini B Chrétien B Eroticism B Desire B female writers B divine Word B spiritual poetry B Petrarchism B Repentance B Laura Battiferri |
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Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a In early modern Italy, lyric poets of spiritual verse experimented with engaging and depicting the divine Word in novel ways. They aestheticized bodies, including that of Christ, and they imagined eroticized encounters between themselves and the Word made flesh. This article examines the sensual spiritual poetry of three early modern Italian women who, between 1530 and 1630, dedicated themselves to crafting and reinvigorating the poetic word and to expressing and (re)presenting the divine Word. Exploring the introspective and subjective spiritual lyrics of Vittoria Colonna (1492–1547), Laura Battiferri (1523–1589), and Francesca Turini Bufalini (1553–1641) in the context of the Italian literary Renaissance and Counter-Reformation, it aims to highlight and to elucidate the conflation of the sacred and the erotic in their verse. In so doing, this article reveals how these early modern female poets deployed the sensual strategically in their verse to elevate the erotic and how they raised the Italian religious lyric to new literary heights by spiritualizing the dominant poetic idiom. | ||
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