Satyr-Play in the Statesman and the Unity of Plato’s Trilogy
At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Brill
2023
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Dans: |
Phronesis
Année: 2023, Volume: 68, Numéro: 2, Pages: 127-166 |
Sujets non-standardisés: | B
Statesman
B Socrates B Theaetetus B Plato B Sophist B Tragedy B satyr-play |
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Accès probablement gratuit Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Résumé: | At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues that these thought-provoking images are best understood as literary devices which, in addition to other dramatic elements in the Theaetetus and Sophist, help to bolster the unity of the Theaetetus-Sophist-Statesman trilogy and its apologetic agenda concerning Socrates. |
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ISSN: | 1568-5284 |
Contient: | Enthalten in: Phronesis
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Persistent identifiers: | DOI: 10.1163/15685284-bja10069 |