Moral Boundaries in Christian Discourse on Popular Music
This paper is part of a larger study of the Christian discourse on popular music. The object of study is the discourse about popular music, not the music or the culture itself. The study examines examples of how the issue of popular music has been debated in churches both in the United States and Eu...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2000
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| Dans: |
Research in the social scientific study of religion
Année: 2000, Volume: 11, Pages: 155-171 |
| Sujets non-standardisés: | B
Histoire des religions
B Religionswissenschaften B Sciences sociales B Religion & Gesellschaft |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | This paper is part of a larger study of the Christian discourse on popular music. The object of study is the discourse about popular music, not the music or the culture itself. The study examines examples of how the issue of popular music has been debated in churches both in the United States and Europe since the 1950s. The study is concerned with what function this discourse, that is, the Christian rock debate, performs within the religious institutions, and not primarily what it means to the fans or the musicians. This debate is presented here as an example of how institutional religion relates to modern society. |
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| Contient: | Enthalten in: Research in the social scientific study of religion
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| Persistent identifiers: | DOI: 10.1163/9789004493278_011 |