"Vai Viņa Daļa Dzīvo Manī?" Smokija Mo Dziesmas "Kas Ir Radītājs" Interpretācija Popkultūras Un Reliģijas Studiju Kontekstā: "Does a part of him live in me?" – interpretation of Smoki Mo’s song "Who is the creator" in the context of pop culture and religious studies.
The Russian hip hop artist Smoki Mo has frequently referenced religious and spiritual topics in his lyrics. The composition "Who is the creator" discusses the positive and negative replies to this question. The lyrics are interpreted as a popular culture text with the aim to discover how p...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Latvian |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
LU Akadēmiskais apgāds
2020
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| In: |
Cel̜š
Year: 2020, Issue: 71, Pages: 6-19 |
| Further subjects: | B
Spirituality
B Reading B Definitions B Identity (Psychology) B hip-hop culture |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a The Russian hip hop artist Smoki Mo has frequently referenced religious and spiritual topics in his lyrics. The composition "Who is the creator" discusses the positive and negative replies to this question. The lyrics are interpreted as a popular culture text with the aim to discover how popular culture texts can function as religious ones and how popular culture can function as religion. The article employs a functional definition of religion to explore how the studied text discusses existential questions and struggle with identity that religion also is concerned with. The popular culture itself is understood in the article as the meaning and value that people ascribe to mass culture products, such as popular music, in their everyday lives. The article also summarizes the possible issues with reading popular culture texts as religious ones to avoid misinterpretation due to researcher’s indebtedness to traditional religious definitions or to scholarly traditions of interpretation. The article also employs the notion of spirituality to connect the ideas expressed in Smoki Mo’s lyrics to a relevant ideological framework. The understanding of the "creator", "God" and other theological notions in the lyrics is closely related to the broad features of modern spirituality that include the focus on the individual self and universal statements rather than particular religious traditions. In this way, the studied composition in itself is an expression of modern spirituality dealing with existential questions. | ||
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