What is in a Name? The Possibility of Identifying the Monk Damo as the Mentor of the First Known Self-Claimed Reincarnation of Maitreya in Medieval China
On the basis of a memorial inscription dedicated to an obscure foreign monk known to us only by a rather ordinary word, Damo 達摩 (Dharma), which was obviously a part of his name, this study attempts to reconstruct some traces of his life, and several key aspects of his image as was perceived by his c...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Routledge, Taylor & Francis Group
2015
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| Dans: |
Studies in Chinese Religions
Année: 2015, Volume: 1, Numéro: 1, Pages: 3-19 |
| Sujets / Chaînes de mots-clés standardisés: | B
Song, Toutuo ca. 6. Jh.
/ Identification
/ Bodhidharma 470-543
/ Fu, Dashi 497-569, Shanhui dashi yulu
/ Daoxuan 596-667, Xu gao seng zhuan
/ Bouddhisme zen
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| RelBib Classification: | BL Bouddhisme KBM Asie KCA Monachisme; ordres religieux TD Antiquité tardive |
| Sujets non-standardisés: | B
Bodidharma
B Chan Buddhism B Mahasattva Fu B Damo B Sengfu B Song Toutuo |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | On the basis of a memorial inscription dedicated to an obscure foreign monk known to us only by a rather ordinary word, Damo 達摩 (Dharma), which was obviously a part of his name, this study attempts to reconstruct some traces of his life, and several key aspects of his image as was perceived by his contemporaries. Partly due to his obscurities and popularities, starting from a certain point of time this Damo started to be conflated with the famous Bodhidharma. The research presented in this article shows that it is difficult to identify this Damo to be Bodhidharma. However, several major aspects of Damo’s image seems to have played a noticeable role in informing the image of Bodhidharma and the Chan ideologies related to him. This case study underscores the complexity of the process through which the life and image of a religious paragon in medieval China, like elsewhere in the world of any time, were made and remade. |
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| ISSN: | 2372-9996 |
| Contient: | Enthalten in: Studies in Chinese Religions
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| Persistent identifiers: | DOI: 10.1080/23729988.2015.1006839 |