Tenue est mendacium: rethinking fakes and authorship in classical, late antique, & early Christian works
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and question...
| Collaborateurs: | ; |
|---|---|
| Type de support: | Électronique Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Havertown
Barkhuis Publishing
2022
|
| Dans: | Année: 2022 |
| Recensions: | [Rezension von: Tenue est mendacium : rethinking fakes and authorship in classical, late antique, & early Christian works] (2023) (Gray, Patrick, 1970 -)
|
| Sujets / Chaînes de mots-clés standardisés: | B
Antiquité
/ Faux
/ Auteur
|
| Sujets non-standardisés: | B
Electronic books
B Forgery of antiquities B Recueil d'articles |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Édition parallèle: | Non-électronique
|
MARC
| LEADER | 00000cam a22000002 4500 | ||
|---|---|---|---|
| 001 | 1830931296 | ||
| 003 | DE-627 | ||
| 005 | 20231214130943.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 230112s2022 xx |||||o 00| ||eng c | ||
| 020 | |a 9789493194502 |c electronic bk. |9 978-94-93194-50-2 | ||
| 020 | |a 9493194507 |c electronic bk. |9 94-93194-50-7 | ||
| 035 | |a (DE-627)1830931296 | ||
| 035 | |a (DE-599)KEP080013112 | ||
| 035 | |a (EbpS)3169721 | ||
| 035 | |a (EBP)080013112 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
| 041 | |a eng | ||
| 050 | 0 | |a CC140 | |
| 082 | 0 | |a 930.1 | |
| 084 | |a 1 |2 ssgn | ||
| 245 | 1 | 0 | |a Tenue est mendacium |b rethinking fakes and authorship in classical, late antique, & early Christian works |c edited by Klaus Lennartz and Javier Martinez |
| 264 | 1 | |a Havertown |b Barkhuis Publishing |c 2022 | |
| 300 | |a 1 Online-Ressource (369 p) | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 500 | |a Description based upon print version of record | ||
| 520 | |a Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship.00The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic?00Following 'Splendide Mendax' and 'Animo Decipiendi?', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue | ||
| 650 | 0 | |a Forgery of antiquities | |
| 650 | 4 | |a Forgery of antiquities | |
| 655 | 0 | |a Electronic books | |
| 655 | 7 | |a Aufsatzsammlung |0 (DE-588)4143413-4 |0 (DE-627)105605727 |0 (DE-576)209726091 |2 gnd-content | |
| 689 | 0 | 0 | |d s |0 (DE-588)4068754-5 |0 (DE-627)106105086 |0 (DE-576)209174544 |2 gnd |a Antike |
| 689 | 0 | 1 | |d s |0 (DE-588)4016247-3 |0 (DE-627)10428028X |0 (DE-576)208915311 |2 gnd |a Fälschung |
| 689 | 0 | 2 | |d s |0 (DE-588)4003982-1 |0 (DE-627)104814543 |0 (DE-576)208853383 |2 gnd |a Autor |
| 689 | 0 | |5 (DE-627) | |
| 700 | 1 | |e HerausgeberIn |0 (DE-588)1024799611 |0 (DE-627)720570697 |0 (DE-576)369523962 |4 edt |a Lennartz, Klaus |d 1963- | |
| 700 | 1 | |e HerausgeberIn |0 (DE-588)173045677 |0 (DE-627)674082052 |0 (DE-576)133898342 |4 edt |a Martínez García, Francisco Javier |d 1965- | |
| 776 | 1 | |z 9789493194366 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t Tenue est mendacium |d Groningen : Barkhuis, 2021 |h IX, 357 Seiten |w (DE-627)1787067785 |z 9789493194366 |z 9493194361 |k Non-Electronic |
| 787 | 0 | 8 | |i Rezensiert in |a Gray, Patrick, 1970 - |t [Rezension von: Tenue est mendacium : rethinking fakes and authorship in classical, late antique, & early Christian works] |d 2023 |w (DE-627)1861108338 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3169721 |m X:EBSCO |x Aggregator |z lizenzpflichtig |
| 912 | |a ZDB-4-NLEBK | ||
| 912 | |a ZDB-4-EBA | ||
| 935 | |a BIIN | ||
| 951 | |a BO | ||
| ACO | |a 1 | ||
| BIB | |a 1 | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4246605476 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1830931296 | ||
| LOK | |0 005 20230112115904 | ||
| LOK | |0 008 230112||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-21 |c DE-627 |d DE-21 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 689 |a s |a eBook-EBSCO-eBook-Academic-Collection | ||
| LOK | |0 852 |a DE-21 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 85640 |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3169721 |z Zugriff für die Universität Tübingen | ||
| LOK | |0 912 |a ZDB-4-EBA | ||
| LOK | |0 935 |a ebok |a lbok | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4409410059 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1830931296 | ||
| LOK | |0 005 20231116105132 | ||
| LOK | |0 008 231116||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135-1 |c DE-627 |d DE-Tue135-1 | ||
| LOK | |0 852 |a DE-Tue135-1 | ||
| LOK | |0 852 1 |m p |9 00 | ||
| LOK | |0 935 |a inmo | ||
| LOK | |0 938 |k p | ||
| ORI | |a TA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Author,Classical antiquity,Classical antiquity,Antiquity,Civilization, Greco-Roman,Civilization, Classical, in art,Civilization, Greco-Roman, in literature,Civilization, Ancient, in literature,Forgery,Counterfeit,Fake |
| STB | 0 | 0 | |a Antiquité,Antiquité,Auteur,Faux,Falsification,Falsification |
| STC | 0 | 0 | |a Antigüedad,Antigüedad,Autor,Falsificación |
| STD | 0 | 0 | |a Antichità classica,Antichità classica,Autore,Falso |
| STE | 0 | 0 | |a 作者,古典时代,古典时代,古典时期,古典时期,赝品,伪造品 |
| STF | 0 | 0 | |a 作者,古典時代,古典時代,古典時期,古典時期,贋品,偽造品 |
| STG | 0 | 0 | |a Antiguidade,Antiguidade,Autor,Falsificação |
| STH | 0 | 0 | |a Автор,Античность (мотив),Античность,Подделка |
| STI | 0 | 0 | |a Αρχαιότητα (μοτίβο),Αρχαιότητα,Πλαστογραφία,Πλαστογράφηση,Συγγραφέας |
| SUB | |a BIB |a REL | ||
| SYG | 0 | 0 | |a Klassisches Altertum , Verfälschung,Fälschungen , Verfasser,Autoren |
| TIM | |a 099992000101_100005001231 |b Antike v800-500 | ||