The Iconographic Type of the Coronation of the Virgin in the Renaissance Italian Painting in the Light of the Medieval Theology
This article highlights the artistic and conceptual relevance of the iconographic type of the Coronation of Mary in Italy during the Late Middle Ages and Early Modernity. We have analyzed 14 Italian Renaissance paintings, aiming to discover the possible doctrinal sources that inspire them. From a co...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2022
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| In: |
Religions
Year: 2022, Volume: 13, Issue: 12 |
| Further subjects: | B
Marian iconography
B theological sources B Coronation of the Virgin B liturgical hymns B Patristics B Renaissance Art |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article highlights the artistic and conceptual relevance of the iconographic type of the Coronation of Mary in Italy during the Late Middle Ages and Early Modernity. We have analyzed 14 Italian Renaissance paintings, aiming to discover the possible doctrinal sources that inspire them. From a conceptual perspective, we have specified that the iconography of The Coronation of the Virgin in Italy is directly inspired by the comments of some Church Fathers and medieval theologians and hymnographers. From the formal perspective, we discover that three different iconographyc types complement each other as progressively more complex variants of a similar basic structure. | ||
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| 650 | 4 | |a Marian iconography | |
| 650 | 4 | |a Renaissance Art | |
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