Performance in Ancient and Medieval Judaism
This article explores the performance of Jewish sacred textual traditions. Performance, as we define it, is both textual and oral and works dynamically between the two. In the Second Temple period, we show the variety of performance which embodies the vitality of the texts. Performance is a feature...
Auteurs: | ; |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Brill
2022
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Dans: |
Dead Sea discoveries
Année: 2022, Volume: 29, Numéro: 3, Pages: 259-291 |
Sujets / Chaînes de mots-clés standardisés: | B
Lecture
/ Tradition
/ Masora
/ Orthographe
/ Tradition orale
/ Moyen Âge
/ Vitalité
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RelBib Classification: | BH Judaïsme HD Judaïsme ancien |
Sujets non-standardisés: | B
oral performance
B Masoretic Text B Tiberian tradition B reading traditions B textual performance B Liturgy B Orthography B Vitality |
Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Résumé: | This article explores the performance of Jewish sacred textual traditions. Performance, as we define it, is both textual and oral and works dynamically between the two. In the Second Temple period, we show the variety of performance which embodies the vitality of the texts. Performance is a feature of scribal practice and liturgy (e.g., Hodayot). It draws on existing text to create something new (e.g., Apostrophe to Zion). From the Second Temple period into the Middle Ages, we see continued pluriformity in the oral performance of the written text of the Hebrew Bible. Creativity is evident across oral and material representation. The texts discussed throughout this article remained dynamic and diverse. The focus and scope of this article also prepares for many of the ideas picked up by the essays which follow in this volume. |
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ISSN: | 1568-5179 |
Contient: | Enthalten in: Dead Sea discoveries
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Persistent identifiers: | DOI: 10.1163/15685179-02903004 |