Semiology of Art and Mysticism in Persian Architecture According to Rumi's Mystical Opinions (Case Study: Sheikh Lotf-Allah Mosque, Iran)

A glimpse of the history of Islamic art indicates that Sufism and mysticism have long been among the most important intellectual and spiritual currents influencing Persian art and architecture. Accordingly, re-reading the symbolic concepts as well as the mystical and spiritual semiotics and seeking...

Description complète

Enregistré dans:  
Détails bibliographiques
Auteurs: Askarizad, Reza (Auteur) ; He, Jinliao (Auteur) ; Ardejani, Roomina Soleymani (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Journals Online & Print:
En cours de chargement...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: MDPI 2022
Dans: Religions
Année: 2022, Volume: 13, Numéro: 11
Sujets non-standardisés:B Persian architecture
B semiology
B Mysticism
B Islamic Architecture
B Maulana Jalaluddin Rumi
B Sheikh Lotf-Allah Mosque
Accès en ligne: Volltext (kostenfrei)
Volltext (kostenfrei)
Description
Résumé:A glimpse of the history of Islamic art indicates that Sufism and mysticism have long been among the most important intellectual and spiritual currents influencing Persian art and architecture. Accordingly, re-reading the symbolic concepts as well as the mystical and spiritual semiotics and seeking their reflection in the body of architecture is an obligatory instruction that should be considered in the process of architectural design. In this research, the authors endeavor to investigate the semiology in the physical elements of Sheikh Lotf-Allah Mosque in Isfahan and its relationship with Rumi’s mysticism using inferential–analytical methods and based on library studies and empirical observations. This research found that the Sheikh Lotf-Allah Mosque was constructed according to the mystical opinions of Rumi in order to demonstrate the semantic values of different levels of the universe in its physical form, structure and configuration. According to the findings, the use of Rumi’s mysticism propagates a God-centered semantic spirit to the body of Persian architectural elements, which always reminds human beings of their true home, which is the heavenly world. According to Rumi, the nature of architecture is beyond the material, and it is God-centered contemplation that turns the architecture into magnificent buildings.
ISSN:2077-1444
Contient:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel13111059