A Mamluk Pen Box Connected to the Thousand and One Nights and the Historian Ibn ʿAbd al-Zahir
The article discusses a remarkable Mamluk pen box in the Louvre, focusing on its inscriptions, which consist of three poems: one by the historian Muhyi ’l-Din Ibn ʿAbd al-Zahir, another by his son Taj al-Din, and a third, anonymous poem cited in a tale of The 1001 Nights. The article tries to trace...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Brill
2022
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Dans: |
Muqarnas
Année: 2022, Volume: 39, Numéro: 1, Pages: 23-36 |
Sujets non-standardisés: | B
horsemen
B Inscriptions B Islamic metalwork B poetical epigraphy B pen box B warfare imagery B Poetry B Mamluk metalwork B Ibn ʿAbd al-Zahir (Mamluk historian) B silver and gold inlaid metalwork epigraphy B Mamluk art B The 1001 Nights |
Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Résumé: | The article discusses a remarkable Mamluk pen box in the Louvre, focusing on its inscriptions, which consist of three poems: one by the historian Muhyi ’l-Din Ibn ʿAbd al-Zahir, another by his son Taj al-Din, and a third, anonymous poem cited in a tale of The 1001 Nights. The article tries to trace the history of the pen box and reconstruct its original layout. |
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ISSN: | 2211-8993 |
Contient: | Enthalten in: Muqarnas
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Persistent identifiers: | DOI: 10.1163/22118993-00391P03 |