Grief and the shaping of Muslim communities in North India, c. 1857-1940s
"This book contributes to significant on-going discussions on nationalism, collective emotions and memory in modern print cultures. It highlights how emotions were collectively cultivated and debated for the shaping of Muslim community identity and for political mobilisation in colonial India a...
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| 100 | 1 | |a Tignol, Eve |d 1986- |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a Grief and the shaping of Muslim communities in North India, c. 1857-1940s |c Eve Tignol, French National Centre for Scientific Research |
| 263 | |a 2303 | ||
| 264 | 1 | |a Cambridge |a New York |b Cambridge University Press |c 2023 | |
| 300 | |a x, 263 Seiten | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a List of figures -- Acknowledgments -- Note on transliteration -- List of abbreviations -- Introduction -- A garden lost: grief and pain in 1857 shahr āshob poetry -- Useful grief: the Aligarh movement -- Memorials, feelings, and public recognition, c. 1911-1915 -- Empowering grief: poetry and anti-colonial sentiments in the early twentieth century -- Nostalgia in Delhi: local memory and identity, c. 1910-1940 -- Epilogue -- Glossary -- Bibliography -- Index. |
| 520 | |a "This book contributes to significant on-going discussions on nationalism, collective emotions and memory in modern print cultures. It highlights how emotions were collectively cultivated and debated for the shaping of Muslim community identity and for political mobilisation in colonial India after the 1857 Uprising"-- | ||
| 520 | |a Drawing on approaches from the history of emotions, Eve Tignol investigates how they were collectively cultivated and debated for the shaping of Muslim community identity and for political mobilisation in north India in the wake of the Uprising of 1857 until the 1940s. Utilising a rich corpus of Urdu sources evoking the past, including newspapers, colonial records, pamphlets, novels, letters, essays and poetry, she explores the ways in which writing took on a particular significance for Muslim elites in North India during this period. Uncovering different episodes in the history of British India as vignettes, she highlights a multiplicity of emotional styles and of memory works, and their controversial nature. The book demonstrates the significance of grief as a proactive tool in creating solidarities and deepens our understanding of the dynamics behind collective action in colonial north India | ||
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