The Gion Festival in Kyoto and Glocalization
The Gion Festival is a world-famous festival that takes place in Kyoto in July. It dates back to the Heian period (794–1185) and originated as a goryō-e ritual to placate departed spirits and disease-divinities. It is linked to the Yasaka Shrine, and it represents a great variety of religious and cu...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
MDPI
2022
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| Dans: |
Religions
Année: 2022, Volume: 13, Numéro: 8 |
| Sujets non-standardisés: | B
Tourism
B Glocalization B Festivals B Locality B Gion Festival B Matsuri B Unesco |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | The Gion Festival is a world-famous festival that takes place in Kyoto in July. It dates back to the Heian period (794–1185) and originated as a goryō-e ritual to placate departed spirits and disease-divinities. It is linked to the Yasaka Shrine, and it represents a great variety of religious and cultural influences. It is a complex and multidimensional event where issues of globalization can be seen at play at the local level. Against this background, this paper analyzes the Gion Festival as a religious and cultural phenomenon in relation to glocalization and the production of locality. In particular, it explores how the City of Kyoto represented the festival in connection with the 2030 United Nations Agenda for Sustainable Development, and the local–global interactions that relate to international tourism and global bureaucracy. |
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| ISSN: | 2077-1444 |
| Contient: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel13080689 |