Cosmology, Faith, Architecture—A Temple under the Sky: The Church of Saint Maximilian Kolbe in Varese
In my article, I propose a reflection about the Catholic church of Saint Maximilian Kolbe in Varese, Italy, designed by the architect Justus Dahinden at the end of the millennium. Despite the fact that this original sacred space has been imagined by a well-known designer, it still remains a neglecte...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2022
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| In: |
Religions
Year: 2022, Volume: 13, Issue: 2 |
| Further subjects: | B
contemporary architecture
B Sacred Space B Justus Dahinden B Italy B Varese B Transcendent |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a In my article, I propose a reflection about the Catholic church of Saint Maximilian Kolbe in Varese, Italy, designed by the architect Justus Dahinden at the end of the millennium. Despite the fact that this original sacred space has been imagined by a well-known designer, it still remains a neglected case study. In detail, the present research is about the method by which the architect included the divine element into contemporary architecture and how he facilitated the encounter with the transcendent. The first step focused on the assessment of unpublished materials, such as the architect’s early plan drafts, the executive drawings and the correspondence between the client and the designer. The following study was on Dahinden’s scripts and publications. In the second stage, I analyzed the space under the lens of the hermeneutical approach to highlight the importance of the proven experiences in the building, which is distinguished for its holistic qualities. Furthermore, symbolism plays a relevant role in communicating the evangelical message here, and it seems that Dahinden brought it to the extreme consequence; the entire building, the sequence of its spaces and its details strongly evoke a universal dimension, which pretends to go beyond the dogmatism which marks the traditional religious architecture. | ||
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