A Place for All People: Louise Nevelson’s Chapel of the Good Shepherd
In 1973, a church and a bank joined forces to reimagine an entire block of Midtown Manhattan. The church was St. Peter’s, and the bank was First National City Corporation, or Citicorp. The Citicorp Center, now owned jointly by St. Peter’s and the developer Boston Properties, remains an important nex...
| 1. VerfasserIn: | |
|---|---|
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
MDPI
2022
|
| In: |
Religions
Jahr: 2022, Band: 13, Heft: 2 |
| weitere Schlagwörter: | B
Public art
B Luce Irigaray B Public Space B Louise Nevelson B sacred art B Nevelson Chapel |
| Online Zugang: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1804372315 | ||
| 003 | DE-627 | ||
| 005 | 20220525120613.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 220525s2022 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel13020099 |2 doi | |
| 035 | |a (DE-627)1804372315 | ||
| 035 | |a (DE-599)KXP1804372315 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |a Watson, Caitlin Turski |e VerfasserIn |4 aut | |
| 245 | 1 | 2 | |a A Place for All People: Louise Nevelson’s Chapel of the Good Shepherd |
| 264 | 1 | |c 2022 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a In 1973, a church and a bank joined forces to reimagine an entire block of Midtown Manhattan. The church was St. Peter’s, and the bank was First National City Corporation, or Citicorp. The Citicorp Center, now owned jointly by St. Peter’s and the developer Boston Properties, remains an important nexus in Midtown. The following case study considers both the limitations of the site’s privately owned public spaces and how the Nevelson Chapel, a permanent public art installation located within St. Peter’s Church, operates as a counter-hegemonic form of privately owned public space—the sacred public space. | ||
| 650 | 4 | |a Louise Nevelson | |
| 650 | 4 | |a Luce Irigaray | |
| 650 | 4 | |a Nevelson Chapel | |
| 650 | 4 | |a Public art | |
| 650 | 4 | |a Public Space | |
| 650 | 4 | |a sacred art | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 13(2022), 2, Artikel-ID 99 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:13 |g year:2022 |g number:2 |g elocationid:99 |
| 856 | |u https://www.mdpi.com/2077-1444/13/2/99/pdf?version=1642672791 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.3390/rel13020099 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/13/2/99 |x Verlag |z kostenfrei |3 Volltext |
| 936 | u | w | |d 13 |j 2022 |e 2 |i 99 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4139581263 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1804372315 | ||
| LOK | |0 005 20220525113023 | ||
| LOK | |0 008 220525||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||