Mark Rothko, No. 5/No. 22
Strong, gestural markings in the central red band distinguish this painting from Rothko’s other mature works. This anomaly consists of long, gently undulating lines formed by gouging the surface of the paint all the way to the canvas before it dried. Straining out from a central point, the horizonta...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Yale University
2013
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| In: |
Conversations
Year: 2014 |
| Further subjects: | B
Abstract (summary)
B Mark Rothko B Judaism B Crucifixion |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a Strong, gestural markings in the central red band distinguish this painting from Rothko’s other mature works. This anomaly consists of long, gently undulating lines formed by gouging the surface of the paint all the way to the canvas before it dried. Straining out from a central point, the horizontal lines contrast sharply with the fuzzy, indeterminate edges of the other elements of the painting. | ||
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