Sur-Sangam and Punjabi Zabur (Psalms 24:7–10): Messianic and Missiological Perspectives in the Indian Subcontinent
How does the local raga-based music setting of Psalm 24:7-10 become associated with Christian identity in an Islamic context? How does Psalm 24 strengthen the faith of the marginalized church and broaden messianic hope? In what ways does Psalm 24:7-10 equip local Christians for missional engagement?...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
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| Veröffentlicht: |
MDPI
2021
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| In: |
Religions
Jahr: 2021, Band: 12, Heft: 12 |
| weitere Schlagwörter: | B
Islam
B Ethnomusicology B messianic kingdom B Intercultural B Punjabi Psalms B sur-sangam B Indian ragas B Aesthetic Theory B Missiology |
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| 520 | |a How does the local raga-based music setting of Psalm 24:7-10 become associated with Christian identity in an Islamic context? How does Psalm 24 strengthen the faith of the marginalized church and broaden messianic hope? In what ways does Psalm 24:7-10 equip local Christians for missional engagement? This paper focuses on the convergence of the local raga-based musical concept of sur-sangam and the revealed text of Punjabi Psalms/Zabur 24:7-10. It argues that while poetic translated text in Punjabi vernacular remains a vital component of theological pedagogy, local music expresses the emotional voice that (re)assures of the messianic hope and mandates missional engagement in Pakistan. Throughout the convergence, musical, messianic, and missional perspectives are transformed to a local phenomenon and its practice is perceived in a cross-cultural connection. Furthermore, examining the text and tune of Punjabi Zabur (Psalms) 24:7-10 in the Indo-Pak context may stretch the spectrum of religious repertoire in the contemporary intercultural world. | ||
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