Montažo ontologija ir anapus jos = The Ontology of Montage and Beyond It
The article deals with the so-called pan-aesthetical ambition of montage (editing) according to which montage is not a merely technical element of a film, but the way to edit cinematic images, thinking, worldview, history, etc. It is argued that the origins of such pan-aesthetics of montage could be...
| Autres titres: | The Ontology of Montage and Beyond It |
|---|---|
| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Lituanien |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Vilniaus Universiteto Leidykla
2012
|
| Dans: |
Religija ir kultūra
Année: 2012, Volume: 11, Pages: 30-42 |
| Sujets non-standardisés: | B
Modernity
B visible–invisible B modernybė B Montage B interval B montažas B intervalas B matoma-nematoma |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1789562236 | ||
| 003 | DE-627 | ||
| 005 | 20220214163645.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 220214s2012 xx |||||o 00| ||lit c | ||
| 024 | 7 | |a 10.15388/Relig.2012.0.840 |2 doi | |
| 035 | |a (DE-627)1789562236 | ||
| 035 | |a (DE-599)KXP1789562236 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a lit | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1231387246 |0 (DE-627)175473376X |4 aut |a Milerius, Nerijus |d 1971- | |
| 109 | |a Milerius, Nerijus 1971- | ||
| 245 | 1 | 0 | |a Montažo ontologija ir anapus jos |b = The Ontology of Montage and Beyond It |
| 246 | 3 | 1 | |a The Ontology of Montage and Beyond It |
| 264 | 1 | |c 2012 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The article deals with the so-called pan-aesthetical ambition of montage (editing) according to which montage is not a merely technical element of a film, but the way to edit cinematic images, thinking, worldview, history, etc. It is argued that the origins of such pan-aesthetics of montage could be found primarily not in cinema itself. As an example of such pre-cinematographic notion of montage pan-aesthetics, a fragment of Gustave Flaubert’s Madame Bovary could be analyzed. It’s already in this fragment where the ambition of the literary montage to disclose much more than a simple literary description could manage is evident. Cinematic montage borrows this strategy and always declares the ambition to reach the limits of the visible and the presentable. Something that could not be depicted, the interval, becomes the means to go beyond the technical understanding of montage and to transform it into a peculiar form of thinking or exposition. It is argued in the article that such pan-aesthetic strategy is the very element of modernity. Referring to the excerpts from the films of Griffith and Eisenstein, it is demonstrated how the invisible (the interval) is used in the construction of the visible. The invisible (the interval) becomes the most essential criterion to classify the schools or types of montage.It is concluded that cinema abandons its ambition to transform the montage into the universal principle of constructing the whole. Nevertheless, also in the contemporary cinema, one could find the interpretations of montage according to which the montage is something more, something that surpasses the technical procedure of a mere editing. | ||
| 601 | |a Ontologie | ||
| 650 | 4 | |a interval | |
| 650 | 4 | |a intervalas | |
| 650 | 4 | |a matoma-nematoma | |
| 650 | 4 | |a Modernity | |
| 650 | 4 | |a modernybė | |
| 650 | 4 | |a Montage | |
| 650 | 4 | |a montažas | |
| 650 | 4 | |a visible–invisible | |
| 773 | 0 | 8 | |i Enthalten in |t Religija ir kultūra |d Vilnius : Vilniaus Universiteto Leidykla, 2006 |g 11(2012), Seite 30-42 |h Online-Ressource |w (DE-627)1745798285 |w (DE-600)3051786-2 |x 1822-4539 |7 nnns |
| 773 | 1 | 8 | |g volume:11 |g year:2012 |g pages:30-42 |
| 856 | 4 | 0 | |u https://doi.org/10.15388/Relig.2012.0.840 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.journals.vu.lt/religija-ir-kultura/article/view/840 |x Verlag |z kostenfrei |3 Volltext |
| 936 | u | w | |d 11 |j 2012 |h 30-42 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 4056543755 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1789562236 | ||
| LOK | |0 005 20220214161724 | ||
| LOK | |0 008 220214||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo |a rwrk | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| STA | 0 | 0 | |a Fitting,Montage,Installation,Installation |
| STB | 0 | 0 | |a Montage,Montage |
| STC | 0 | 0 | |a Montaje,Montaje |
| STD | 0 | 0 | |a Montaggio,Montaggio |
| STG | 0 | 0 | |a Montagem,Montagem |
| STH | 0 | 0 | |a Монтаж,Монтаж (искусство) |
| STI | 0 | 0 | |a Συναρμολόγηση,Μοντάζ (τέχνες),Τοποθέτηση,Εγκατάσταση |
| SUB | |a REL | ||
| SYE | 0 | 0 | |a Montieren,Montierung,Künstlerische Montage,Montagetechnik |