Tenue est mendacium: rethinking fakes and authorship in classical, late antique, & early Christian works
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and question...
| Contributors: | ; |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Groningen
Barkhuis
2021
|
| In: | Year: 2021 |
| Reviews: | [Rezension von: Tenue est mendacium : rethinking fakes and authorship in classical, late antique, & early Christian works] (2023) (Gray, Patrick, 1970 -)
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| Standardized Subjects / Keyword chains: | B
Classical antiquity
/ Forgery
/ Author
|
| Further subjects: | B
Collection of essays
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| Online Access: |
Table of Contents |
| Parallel Edition: | Electronic
Electronic |
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| 245 | 1 | 0 | |a Tenue est mendacium |b rethinking fakes and authorship in classical, late antique, & early Christian works |c edited by Klaus Lennartz and Javier Martinez |
| 264 | 1 | |a Groningen |b Barkhuis |c 2021 | |
| 300 | |a IX, 357 Seiten |b Illustrationen | ||
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| 520 | |a Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship.00The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic?00Following 'Splendide Mendax' and 'Animo Decipiendi?', this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue | ||
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| 787 | 0 | 8 | |i Rezensiert in |a Gray, Patrick, 1970 - |t [Rezension von: Tenue est mendacium : rethinking fakes and authorship in classical, late antique, & early Christian works] |d 2023 |w (DE-627)1861108338 |
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| STA | 0 | 0 | |a Author,Classical antiquity,Classical antiquity,Antiquity,Civilization, Greco-Roman,Civilization, Classical, in art,Civilization, Greco-Roman, in literature,Civilization, Ancient, in literature,Forgery,Counterfeit,Fake |
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