From the Dove to the Eagle: Jansenist Visual Culture Between Piety and Polemic
The Nouvelles ecclésiastiques, the popular eighteenth-century Jansenist periodical, is a bellwether for changes in the priorities of the Jansenist movement. The annual frontispieces that decorated many editions of the paper from 1727 to 1763 are a site where these priorities are presented in an evol...
1. VerfasserIn: | |
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Medienart: | Elektronisch Aufsatz |
Sprache: | Englisch |
Verfügbarkeit prüfen: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Veröffentlicht: |
The Catholic University of America Press
2021
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In: |
The catholic historical review
Jahr: 2021, Band: 107, Heft: 4, Seiten: 528-560 |
normierte Schlagwort(-folgen): | B
Nouvelles ecclésiastiques
/ Frontispiz (Buchdruck)
/ Frankreich
/ Jansenismus
/ Polemik
/ Jesuiten
/ Patriotismus
/ Geschichte 1727-1763
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RelBib Classification: | CG Christentum und Politik KAH Kirchengeschichte 1648-1913; Neuzeit KBG Frankreich KCA Orden; Mönchtum KDB Katholische Kirche ZG Medienwissenschaft; Digitalität; Kommunikationswissenschaft |
Online Zugang: |
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Zusammenfassung: | The Nouvelles ecclésiastiques, the popular eighteenth-century Jansenist periodical, is a bellwether for changes in the priorities of the Jansenist movement. The annual frontispieces that decorated many editions of the paper from 1727 to 1763 are a site where these priorities are presented in an evolving visual rhetoric. Early images that focus on theological struggle, centered on ecclesiastical actors, gradually give way to a neoclassical visual sensibility in conjunction with an increasing emphasis on "bon François" political concerns. By examining these frontispieces, we can trace a gradual Jansenist shift towards patriotic politics. |
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ISSN: | 1534-0708 |
Enthält: | Enthalten in: The catholic historical review
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Persistent identifiers: | DOI: 10.1353/cat.2021.0034 |