Defa'-e Moghaddas (The Sacred Defense), Hamdeli va Mehrvarzi (Camaraderie and Love from Knowing the Other), and the Making of Social Cinema in Post-Revolutionary Islamic Iran
A publicity tool during the Iran–Iraq war (1980–1988), the cinema of the postwar period in Iran was expected to uphold Islamic, ethical, and symbolic values idealized by the government as defa'-e moghaddas (the sacred defense). The war film genre, which was launched during this period to promot...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
University of Saskatchewan
2021
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| Dans: |
Journal of religion and popular culture
Année: 2021, Volume: 33, Numéro: 3, Pages: 154-176 |
| Sujets non-standardisés: | B
qisas (retaliation)
B dieh (the blood money) B the affective turn B cinemay-e ejtema'i (social cinema) B 'orf (non-religious customs and practices) B janbazi (self-sacrifice) B mazlooman (the oppressed and marginalized) B defa'-e moghaddas (the sacred defense) B hamdeli va mehrvarzi (camaraderie and love from knowing the other) B moghavemat (resistance) B gozasht (forgiveness) B 'edalat (justice) |
| Accès en ligne: |
Volltext (lizenzpflichtig) |