The Proof of the Pudding: Proverbs and Gender in the Performance Arena
Context of use often determines the final, embedded meaning of an aphorism. Use in a ‘performance arena' proceeds through a complex interaction between folklore users and audiences, and a shared set of meanings which is invoked by the saying. Issues of status, gender, and age of proverb users a...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Sage
2004
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| Dans: |
Journal for the study of the Old Testament
Année: 2004, Volume: 29, Numéro: 2, Pages: 179-203 |
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Édition parallèle: | Électronique
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| Résumé: | Context of use often determines the final, embedded meaning of an aphorism. Use in a ‘performance arena' proceeds through a complex interaction between folklore users and audiences, and a shared set of meanings which is invoked by the saying. Issues of status, gender, and age of proverb users and audiences also influence performance and meaning. Building on the work of folklorist John Miles Foley and others, this study outlines features of the performance arena for the use of aphorisms, usingElihu in Job 32.6-10, and a slave woman's use of a proverbial sayingin the Westcar Papyrus. A visual model of proverb performance based on computer object editing is proposed. |
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| ISSN: | 1476-6728 |
| Contient: | Enthalten in: Journal for the study of the Old Testament
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| Persistent identifiers: | DOI: 10.1177/030908920402900205 |