cut, tuck, and paste: repurposing mass-produced imagery at buddhist shrines in ladakh, india
This article documents and analyzes the ways in which mass-produced imagery, frequently intended for secular functions, is creatively repurposed at Buddhist shrines in Ladakh, India. I argue that these inventive reformulations of printed material—often requiring cutting, pasting, and reframing—play...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
2021
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| In: |
Material religion
Year: 2021, Volume: 17, Issue: 4, Pages: 437-462 |
| Standardized Subjects / Keyword chains: | B
Ladakh
/ Lamaism
/ Sanctuary
/ Mass media
/ Secularism
/ Picture
/ Rededication
/ Sacred object
|
| RelBib Classification: | AG Religious life; material religion BL Buddhism KBM Asia |
| Further subjects: | B
Deposit
B Shrines B Ladakh B Assemblage (Art) B Altars B Icon B Offering B mass-produced imagery B Bricolage |
| Online Access: |
Volltext (lizenzpflichtig) |